A Quote by Robyn Davidson
I am very lucky: not very many writers can say they genuinely like the film of their book. However, I do.
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Ask a celebrity what social cause he or she wants to take up, and many would say utopic things. For me, however, the decision is very clear... I want to do something for children, a category of people I am genuinely fond of.
All I can say is that I am not one of those writers who want 100% of their book in the film. I recognize that film is a different medium and the filmmaker must have the right to bring some new elements to the table, provided the soul of the book is preserved.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
I wanted to keep the complexity of the female experience in the film as much as it is in the book, and the subject of not wanting a child is a very interesting subject, one that's not dealt with very much actually.However that complexity was not serving the story of what became the film [The Girl on the Train].
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
Luckily I am very, very privileged and feel very lucky to be getting work and my kiddies are not feeling the brunt of any kind of horror that's going on today. So I'm super lucky.
As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."
I'm very lucky to say that I worked with a lot of directors who cannot make a bad film. Like when Wim Wenders, they cannot make a bad film. They can make a film people don't like, or it's the wrong moment.
Because even very young people are expert readers of pictures, you can convey very complex and subtle messages through pictures that you'd need loads of words to explain. Making a picture book is also a bit like making your own film - and you can make anything you want happen, however impossible!
I think I am very lucky to meet so many people and go to cool places and nice events. I am lucky to be in partnership with Hugo Boss and the team so I enjoy doing these events.
Money means I can support my family and still do what I love. Not very many people can say that in this world, and not many writers can say that.
In English, you can find writers with a wonderful sense of humor, like Oscar Wilde. But in the French language, this is very special, and de Sade is one of the very brave writers with a sense of humor. But most people don't understand that. When they read de Sade, they take it seriously. They say, "Oh, what an awful man!" He is really a very unknown writer.
I am doing an interesting film called 'Club 60' where I share the screen with many superb actors like Satish Shah, Farooque Shaikh, Tinu Anand, and some more. It's one film I am looking forward to as it has been made very differently.
Thank God for theater and film and television and my very, very, very lucky life.
Well, you can't say you are lucky to live in Champaign, but I was lucky to be at the University of Illinois. It's a very international cosmopolitan community. That's very helpful.
I was so lucky because I started working very young. And my father was very wealthy and I didn't need to work. I did my films. I was very well paid for my age, and I could make choices, decide not to do a film for six months and wait until I'd get the right thing. Which made me quite a coward, you know. It's so easy to say no to stuff, and then, after a while, it's very hard to go back in.
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