A Quote by Robyn Hitchcock
If you make money back from your record, you're doing it smart. It's an expensive hobby. I'm lucky enough to still make a living as a musician through live work and odd bits of royalties.
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Don't come to me with your troubles. I have to work for my money and you are young enough to work too. If you can't make enough money to live on you can jump out of the window or drown yourself.
I think a person who takes a job in order to live - that is to say, for the money - has turned himself into a slave. Work begins when you don't like what you're doing. There's a wise saying: make your hobby your source of income. Then there's no such thing as work, and there's no such thing as getting tired. That's been my own experience. I did just what I wanted to do. It takes a little courage at first, because who the hell wants you to do just what you want to do; they've all got lots of plans for you. But you can make it happen.
I think there's a curiosity that can make you feel anxious as to what the world's going to make of what you're doing. It's not necessarily what you're going to get back in terms of record reviews or how people talk about your record, it's getting on the road and playing the new songs live.
Royalties are not how most writers or musicians make their living. Musicians by and large make a living with a relationship with an audience that is economically harnessed through performance and ticket sales.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
I think I'm wealthy. I make a good living for what I do. Well, it depends. If I'm doing an independent film I'm making no money - probably losing money. But if I'm doing a studio film, I'll make a decent wage. I can live for a year without working.
If you go into acting to make money then you're an idiot. It's my hobby and the fact that I'm doing my hobby for a job is mental.
In theory, when you're working with a record label, you're just borrowing their money. And that's basically how the record industry works, right? It's like, you borrow $100,000 from a record label, so you don't make any money until you make back that money for them. In theory, they have you held hostage, so you've got to do every little stupid thing that they want you to do.
I just I love telling stories and as long as I can make my living doing that in all the different mediums that I have been lucky enough to, that's enough for me.
'Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.
Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.
I've been acting since I was a kid and it started out as a hobby. I've been lucky enough to make that my professional career and I've earned a living out of it.
To this day, I still haven't touched one dime of my signing bonus or NFL contract money. I live off my marketing money and haven't blown it on any big-money expensive cars, expensive jewelry, or tattoos and still wear my favorite pair of jeans from high school.
I think that no matter what you do, whether you rodeo, whether you work in an office, you work in the oilfield or you play music for a living, eventually if you do enough of it, the devil in the back of your head tries to turn it into work. You have to find new ways to make it new and make it exciting to keep that drive there.
While I used to make my living principally as a record producer, as time went on, I had to depend more and more on my live performances because of the evolution of the record industry, which has de-emphasized what made it possible to make a living.
It doesn’t make sense, it’s not logical, it’s not a safe profession or a smart profession if you wanna make money or have a living or have a family. So the fact that we keep doing [theatre] means we’re getting something from it that is almost childlike in its innocence.
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