A Quote by Robyn Hitchcock
Most songs are somewhere between love and death, and mine are no exception.
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I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
Somewhere between psychotic and iconic/ Somewhere between I want it and I got it/ Somewhere between I’m sober and I’m lifted/ Somewhere between a mistress and commitment
Love songs come in many guises and are seemingly written for many reasons – as declarations or to wound – I have written songs for all of these reasons – but ultimately the love songs exist to fill, with language, the silence between ourselves and God, to decrease the distance between the temporal and the divine.
I've written about a lot of different things, but the whole idea of writing for another character is unusual for pop music... Most of the repertory is love songs, and most of mine isn't. I don't know if that's a mental defect, or shyness, or what.
He and I…we share a bond. Not love, exactly. It goes beyond that. He is mine as surely as sun follows moon across the sky. Mine before ever I knew he existed. Mine until death and beyond.
There's no way anyone's going to understand my own personal experiences, where the songs came from, because they're mine. But I was very conscious of leaving loads of space in the songs so that people could interpret them with their own memories, feelings, and emotions. I love the process of taking stuff away so that people could finish the songs themselves. I was hoping it'd end up being as universal as possible, even though it comes from the most personal place.
My songs lie somewhere in between the evergreen standards, rock n' roll and pop.
It's either good, bad or somewhere in between. It's either ying, yang or it's a combination. You're either male, female or somewhere in between. You've got to be somewhere on the map.
Once the subject matter of rock n' roll changed from cars and pop love songs to songs about really true love and the blues and death and mortality, this light bulb went off in my head and I went, 'Oh, that's what they're doing. That's kind of - that's art.'
The most powerful love songs always turn on the discrepancy between the act of declaring love and the knowledge that the ostensible addressee is no longer there, was never there, and could never be there.
Mine to the core of the heart, my beauty!
Mine, all mine, and for love, not duty:
Love given willingly, full and free,
Love for love's sake - as mine to thee.
Duty's a slave that keeps the keys,
But Love, the master, goes in and out
Of his goodly chambers with song and shout,
Just as he please - just as he please.
Birth leads to death, death precedes birth. So if you want to see life as it really is, it is rounded on both the sides by death. Death is the beginning and death is again the end, and life is just the illusion in between. You feel alive between two deaths; the passage joining one death to another you call life. Buddha says this is not life. This life is dukkha - misery. This life is death.
You know, most love songs are not cheesy and corny. Most love songs are complaints, I think. Or about unrequited love, coming at it from some oblique angle. Only the ones that say "I love you" over and over are the cheesy, corny ones that people complain about
If the denial of death is self-hatred, as it is to deny our freedom and live in fear of death (which is to say, to live in a form of bondage), then the acceptance and affirmation of death is indeed a form of self-love. But I'd want to make a distinction between a form of self-love which is essential to what it means to be human, and a narcissism of self-regard, like Rousseau's distinction between amour de soi and amour propre, self-love and pride.
the distance between this pigeon's brain and mine is minute compared to that between mine and Bodhi 's Wisdom Compassion
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
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