A Quote by Robyn Hitchcock

I've been able to make a good living as a musician, but now it's time to do all the other stuff. — © Robyn Hitchcock
I've been able to make a good living as a musician, but now it's time to do all the other stuff.
I think I've been very fortunate, considering the obstacles that I had to deal with, you know, just being - by virtue of being a brown, lovely, brown-skinned man. But on the other hand, I've been able to make a good living, and I've been able to take care of my family, which is most important to me.
I would assume that there is a greater amount of joy for you in being able to write and help produce your own stuff and make a decent living, but not get rich versus always doing the other stuff that you don’t write, and make more money.
Over the years, I have worked professionally as a musician, photographer, and writer. I've been able to earn my living in other ways, but I always knew I'd come back to acting.
I feel really privileged that I've been able to be an activist and a musician for over 20 years now, and I've always been able to say whatever I want. I think that's something we Americans really take for granted, but it's a big deal, and it's not something most people in the world are able to do.
The age of 18 seemed the right time to try something different in my life. Moving to the U.K. was a risk, and I was never confident that I could ever make a full-time living being a musician, but I had to try. Initially, I worked as a jazz musician in pubs or with bands.
The goal as a musician, I think, is to be able to make music as a living for the rest of your life.
I got chronic stuff that everybody has when they're done playing football for any length of time. So the good thing is I'm able to walk. I feel good. I'm able to spend more time with the fam.
Magazines in the traditional sense were aggregators of novelty. A good magazine was a lot of novelty, stuff you've never heard of before, clearly aggregated by people who have been able to travel further and dig deeper than you have been able to do. And that used to be really an important source of stuff for me. And now it is less important because the Internet has eaten it all up. But my Twitter feed as an aggregator of novelty is like... I don't know what I would do if it became any more powerful, I would have to start reining it in somehow.
Only become a musician if there is absolutely no other way you can make a living.
Living in L.A. has been really good for me as a creator and musician.
Living in the past or living in the future - those aren't real. The moment is now, and that's where safety and comfort and all that good stuff is.
I consider anybody who has been able to make a living in this business [movie business] without having to do something else for a living for any period of time let alone 43 years would be a miracle.
Because I'm a musician aspiring to write good stuff and put on good shows, I'm hyperaware of what they're doing and what they're putting out. But listening now in a less critical way, I'm appreciating and admiring it even more.
I think that for some time now I have been living with an anxiety which has had no tangible cause. It has been like having a toothache, without the conscientious dentist having been able to find anything wrong with the tooth or with the person as a whole.
So if you can make it through, you know you've got something good, you can handle anything. We've been blessed to grow but at the same time, the hard part is having to wear every single hat. It's exhausting, but it's entirely worth it because on the flip side, the best part about being a touring musician is being a touring musician.
We'd be recording and I'd go down to Greenpoint where Rostam was living and track stuff... It was a busy time. I felt like in general, I was just super psyched with the prospect of getting to be a musician, that it became a thing that I would think about more than I would think about my studies and stuff like that. I still did fine, but it was an interesting time in my life.
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