A Quote by Robyn Hitchcock
I became a musician because that's really what I wanted to do when I was fifteen, but I had other abilities.
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Fifteen years ago I knew I had to settle into being a mom and give them a normal life, which I never had. I was always traveling. I had tours. I wanted my kids to settle down, and we kind of did it together.... It was a bumpy transition. There was no director telling me what to do. No script, but I really enjoyed it. I even became president of the PTA. Doing the laundry was a meditative experience. Now, when I start to get nervous and stressed, I go in and start to fold towels.
I wanted to be a musician but I didn't have the talent for it, so I decided I wanted to be famous, so I became an actor.
I've sort of had an investigatory relationship with being a musician. I really wasn't sure what I wanted to do. I felt I had had my run - I had done Jane's and I wasn't particularly interested in music anymore.
I think I always kind of wanted to be a musician but never dared to say it out loud because I never thought it was possible. I wanted to be a teacher, a lawyer, a doctor - I wanted to be a lot of other things growing up.
I became interested in building furniture, because I couldn't find pieces I really loved for myself and my clients. I picked stuff up from the street, and tweaked those pieces to make them what I really wanted. It became a career!
I really wanted to be a musician, but it turned out I had no sense of time.
I was a musician and did moderately well at that. I made an enjoyable living as a very young man, but I think as I became more comfortable and knowledgeable about myself and what I wanted, I moved into acting. I came to it rather late - later than most. I just really wanted to try my hand, and thankfully, it worked out for the most part.
I had to run away from home in order to be a musician. Because I came from a family of... my father was a health inspector; my mother was a social worker. And I was pretty smart in school. So they expected me to be some kind of academic - schoolteacher, or doctor, lawyer - and they were very disappointed when I told them I wanted to be a musician.
It was hard at school because, growing up, some people wanted to be friends with me just because they wanted to get to my dad and say that they had met him and had gone to our house. I didn't understand it at the time, but the older I got and the more aware of it I became, it started becoming hard.
My parents never really wanted me to be a musician at all, because in Peru you don't earn any money that way. But when they realised it was genuinely what I wanted to do, they supported me always.
I really wanted to, but I just didn't understand how people became comedians. I kind of thought it was something you were born into. And so I wanted to be a veterinarian or an architect. I wanted to be in a band, and for some reason I could understand how you could be in a band because I had guitars and all my friends played music. Comedy was a secret want, but it wasn't anything I pursued.
I once had a young musician come to me and say that he wanted to be a professional musician. I asked him to write his list. When he came back to me, the three things in his life he most wanted were: to be paid for his music; to travel around the world; to meet new people. We came to the decision, after thinking really creatively, that if he got a job on a cruise ship, he would fulfill those goals.
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
When I was 7 or 8, I'd go to bodybuilding shows with my family because they had friends who were into it, and it became something I wanted to do one day. I wanted to look big and strong.
I wanted to be a director first to protect my writing. I'm a playwright and you don't need to protect your writing when you're in the theater because everyone's there to protect the writing. When I had an idea for a film that I really cared about as my own, I wanted to direct it, and then I immediately became interested in directing in and of itself because it's such a deep art. You suddenly have all these tools at your disposal to tell the story.
I think my mother became the muse because she had everything when she was in Hollywood: she had the marriage, the success, the money, all the films she wanted to do and yet even her, she had a longing and wanted to work with a film that had meaning, something more profound. And I think that was very touching to father.
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