A Quote by Robyn Hitchcock
I can tell how I'm doing, and I can tell if the crowd is particularly dead.
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Promise me this, that you'll stand by me forever. But if God forbid Fate should step in and force us into a goodbye. If you have children someday, when they point to the pictures please tell them my name. Tell them how the crowd went wild, tell them how I hope they shine.
If you gauge how you're doing on whether somebody is responding vocally or not, you're up a creek. You can't do that; you kind of have to be inside of your work and play the scene. And tell the story every day. Tell the story. Tell the story. Regardless of how people are responding, I'm going to tell the story.
I'm gonna tell y'all what we tell the crowd every night when we play back in the States. We tell them to remember people sleeping in a sandstorm so that we can be free.
You can't tell young people what to do. You can't tell 'em because they'll look at you and say, 'Well, how can you tell me not to do that when you were there doing it yourself?' Or supposedly were doing it yourself. I think you must let everyone live their life the way they have to.
I wanted to get the fastest time in the world this year, but with everything going on, it's a pretty decent swim, ... I knew I was under world record pace. You could tell by the crowd. You can always tell at these meets when something good is going on because of the crowd.
I'm not particularly needy, and I'm not particularly anxious. I don't look for a director to tell me I'm doing a good job or that I'm great. I don't need to be stroked. It's more my own yardstick.
There's cleanliness to how I eat now. I'm much more in tune with my body, so now that I'm so in tune based on having become a semivegan, I can tell what foods affect energy levels. I can tell when I've been eating particularly high nutrient foods or I can tell when my glycemic levels are all over the place.
When I ask, “How are you?” that is really what I want to know. I am not asking how many items are on your to-do list, nor asking how many items are in your inbox. I want to know how your heart is doing, at this very moment. Tell me. Tell me your heart is joyous, tell me your heart is aching, tell me your heart is sad, tell me your heart craves a human touch. Examine your own heart, explore your soul, and then tell me something about your heart and your soul.
When you're relaxed, the crowd can see it. They can feel it. They can tell when you're being real, or they can tell when you're forcing it.
Every stage of filmmaking's important while you're doing it, so I spend most of my time figuring out how to tell the story. I have all these stories and ideas, but it's how to tell the story.
Tell my daughter Elizabeth -- no! Tell all my daughters, everywhere, in all the ages yet to come. Tell them how I died, and why. And tell them to remember this: the future is unwritten. Know your rights.
When I look at my audience, I can tell better who's in the crowd and the kind of joke I shouldn't do. It's just complicated. I guess I sift through to make sure these jokes are a little different with not such a harsh edge to them. That's pretty much how I handle the crowd.
If I talk about my father's funeral, as I did when I was promoting the last novel, 'Being Dead,' I'm not going to tell any lies, but there are certain things I'm not going to tell you, and I'm certainly not going to tell my grief.
If I'm exhausted, physically and particularly emotionally, I can't tell what's good and I can't tell what's bad and I'm useless.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pay your house payment. That's a tough crowd.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pat your house payment. That's a tough crowd.
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