A Quote by Rochelle Humes
It was so important to me to include a sustainable option within my Regatta collection - the brand is known for its incredible sustainability collections. I really try to reuse my outfits and remember that a piece isn't just for a one-off occasion.
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My Dad was such an incredible person, and you have the option of just curling up in a dark corner and letting it all go or you have the option of standing strong, sticking together and carrying on what he lived and died for. And I think that's what's so important - to be able to carry on where he left off.
My job at the end of the day is to design timeless, desirable, beautiful products. It's not about just designing a bunch of organic jumpers. I have a balance within the brand. If you try to create something people enjoy, and it happens to be made in a responsible way, then that's when you can really strike an incredible balance.
Everything I have is ready to wear, but I have the ability to have different options within the same brand. I have the Theyskens' Theory collection where it's a personal approach to how I build the collection where I fuse more fashion-y ideas and it has my name on it. So it's really something very research- and labor-intensive. And then I have the Theory brand where I infuse all points of view about fashion at large, and it's more global. It's really about making something succeed. You have an instant relationship with stores, and with sales teams, and people that are in the place.
I wouldn't include a piece in my collection that I wouldn't wear personally.
Collections aren't really planned. I just keep writing short pieces until I have enough for a collection.
I oftentimes say that I design my collections off my phone. I'm in a group chat with my team in Milan. I copy and paste. I draw. I look at trends. I don't really have an assistant. It's a modern way of working. I don't know if it's sustainable, but it's how I do it.
Creating a bridalwear collection was a natural progression from my evening wear collections, which are well known for their softly draped and diaphanous silk gowns.
I would love to do a period piece - in the 18th or 17th century. To me, it would be such an incredible challenge because of the way people carried themselves. There are so many incredible stories within those centuries - just the language and the way they carried themselves and what they were going through.
Sustainability is another word for justice, for what is just is sustainable and what is unjust is not.
I only do what I do. For me, it is a craft. It's got to be my own thing - otherwise, I would never be successful. I could easily go to the archives and pull 1987 or 1991 collection by Calvin Klein. But when you look in there, you realize that it was never about one piece. It was about the collections as bodies of work.
I think the main thing that we have to do is try and train ourselves to remember from moment to moment that God is living within us and within everybody else, and just trying to remember to see that.
I try to look at most of my solos as a musical piece within the song, not, say, showing off.
I am very excited about the launch of my new collection with Superga UK. I really enjoyed creating for the brand and adding a piece of myself into the designs. I hope that everyone loves them as much as I enjoyed making them.
Books were rare,expensive, time-consuming to create and copy, and difficult to transport. That is why collections ofprint-based books developed around centers of religious belief, learning, and wealth. It was cheaper andeasier for people to come to the collection than for the collection, or parts of the collection, to go to thepeople.
I really have this desire to make it known that the Internet exists and YouTubers are important. And not only are YouTubers important, our followings are incredible.
I am a rare occasion. I think if everyone had known it was going be me who succeeded, they would have supported me a lot more. They would have known what to do with me a lot earlier. They just didn't know.
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