A Quote by Rockline Venkatesh

I keep myself updated about films in other languages. — © Rockline Venkatesh
I keep myself updated about films in other languages.
Always keep absorbing art and looking at paintings and reading books and watching movies in other languages, just getting to know the world at hand and the world of the past. It's important to keep absorbing the world and keep engaging with it, and often that means not thinking about movies and thinking about other things.
I do tend to sometimes keep myself updated with whatever is trending but I don't really follow fashion trends.
I am not very good with languages. So, in spite of working in films in 17 different languages, I only follow my passion to act without getting worked up about the language.
When you are a pan-Indian actress, you are doing films in different languages and invariably, you end up not signing films in one language or the other for a brief period.
We can appreciate each other's languages. And the question of being uncomfortable about our languages would go away.
The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages.
I have done 200 plus films in other languages.
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
I made French films and other films and a lot of Arabic films, but what I like is English for myself.
My impression was and is that many programming languages and tools represent solutions looking for problems, and I was determined that my work should not fall into that category. Thus, I follow the literature on programming languages and the debates about programming languages primarily looking for ideas for solutions to problems my colleagues and I have encountered in real applications. Other programming languages constitute a mountain of ideas and inspiration-but it has to be mined carefully to avoid featurism and inconsistencies.
I keep my stuff updated all the time. Being in the security industry, I keep up to date with securities.
I'm turned on by guys who are cultured. That'll keep me intrigued. They don't have to have a single degree, but they should speak other languages or know things about other parts of the world or history or certain artists or musicians. I like to be taught. I like to sit on that side of the table.
Language is very deceiving. In certain languages, there is certain vocabulary that doesn't exist in other languages. It totally changes how people feel about things.
Americans don't speak foreign languages, by and large. Their interest in anything beyond the borders of the country is limited. A European of any cultivation has to speak a couple of languages; he inevitably without being very thoughtful about it gets to understand what other people think about him.
Writing in African languages became a topic of discussion in conferences, in schools, in classrooms; the issue is always being raised - so it's no longer "in the closet," as it were. It's part of the discussion going on about the future of African literature. The same questions are there in Native American languages, they're there in native Canadian languages, they're there is some marginalized European languages, like say, Irish. So what I thought was just an African problem or issue is actually a global phenomenon about relationships of power between languages and cultures.
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