A Quote by Rod Laver
When you've got your man down, rub him out.
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A man is at the bar, drunk. I pick him up off the floor, and offer to take him home. On the way to my car, he falls down three times. When I get to his house, I help him out of the car, and on the way to the front door, he falls down four more times. I ring the bell and say, Here's your husband! The man's wife says, Where's his wheelchair?
'Melanin Man' was inspired by the words of an Uber driver in L.A. Before I got out of the car he said, 'They're scared of you young man. You're a king and they all know it. They want your culture, your soulful element and your style. You're Melanin Man, a super hero. Be safe out here.' Then I got out the car and took that all in.
If a man's got talent and guts to buck society, he's obviously above average. You want to hold on to him. You straighten him out and turn him into a plus value. Why throw him away? Do that enough and all you've got left are the sheep.
Lift up yourselves, men, take yourselves out of the mire and hitch your hopes to the very stars themselves. Let no man pull you down, let no man destroy your ambition, because man is but your companion, your equal; man is your brother; he is not your Lord, he is not your sovereign master.
If a man, notoriously and designedly, insults and affronts you, knock him down; but if he only injures you, your best revenge is to be extremely civil to him in your outward behaviour, though at the same time you counterwork him, and return him the compliment, perhaps with interest.
I asked him what, if anything, got him down about teaching. He said he didn't think that anything about it got him exactly down, but there was one thing, he thought, that frightened him: reading the pencilled notations in the margins of books in the college library.
If you want to raise a man from mud and filth, do not think it is enough to stay on top and reach a helping hand down to him. You must go all the way down yourself, down into mud and filth. Then take hold of him with strong hands and pull him and yourself out into the light.
I'm not one of those people that's to myself and just quiet. I've never been like that, man. I've always been kind of loud. I'm out there, man. I do my thing, but I don't do it disrespectful. But when people rub me the wrong way, I rub people the wrong way. But I say what I say and I mean what I say.
Like when I fought Akebono - six foot eight, 490 pounds. Before the fight, everyone's like 'Man, you're crazy. You're out of your mind. How are you going to fight a guy that big, there's no way you can take him down. You cannot punch him out. You're out of your mind.' After the fight, everybody was like 'Oh come on, he's big and fat.' Really?
If I cannot retain my moral influence over a man except by occasionally knocking him down, if that is the only basis upon which he will respect me, then for the sake of his soul I have got occasionally to knock him down.
Coaches need to have the ability of tact - to teach the team to rub out mistakes rather than to rub them in.
Well, I started out down a dirty road Started out all alone And the sun went down as I crossed the hill And the town lit up, the world got still I'm learning to fly but I ain't got wings Coming down is the hardest thing Well, the good ol' days may not return And the rocks might melt and the sea may burn I'm learning to fly but I ain't got wings Coming down is the hardest thing Well, some say life will beat you down Break your heart, steal your crown So I've started out for God knows where I guess I'll know when I get there I'm learning to fly around the clouds But what goes up must come down
You know the evil that men do, hell is where the men go.
We snatched him by his hands and feet and threw him out the window:
"Up, up, and away cause I don't play, clown,
Buck, buck, buck, take that with you on the way down."
I'm hoping you got springs and wings on your shoes,
But you lose, because I got the Ill Street Blues.
You've got to be in a place where you can put your guard down. I've got a long list of things I consider to be selling out. But amongst that list, one of them is when you make art without putting your guard down.
A boy is a magical creature you can lock him out of your workshop, but you can't lock him out of your heart. You can get him out of your study, but you can't get him out of your mind. Might as well give up he is your captor, your jailer, your boss and your master a freckled-faced, pint-sized, cat-chasing bundle of noise. But when you come home at night with only the shattered pieces of your hopes and dreams, he can mend them like new with two magic words Hi, Dad!
When 'Tracks' first came out, I was courted by Sydney Pollack. I had lunch with him, and he opened the conversation with, 'Honey, you ain't gonna like what I'm gonna do to your book.' I really liked him, but I turned him down, because - well, I was stupid. I also turned down a great deal of money.
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