A Quote by Rod Serling
If the producer doesn't like you, consequently he reads the script with a very negative view. But I wouldn't preoccupy myself with that, I don't give a damn. You can be a hunchback and a dwarf and whatall.
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The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good... I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
I think the most important thing is to, without belligerence, stand up for what want. Argue compellingly if someone tries to change your script. Yeah, legally they can if they want to. But rather than give up, as some of the writers do, and just wail about how your script got rewritten, it's much more difficult - but well within the realm of possibility - to argue very sincerely, calmly, and reasonably from your point of view, such that the director or the producer might decide, "All right, let's do it that way."
If it looks like a Dwarf, and it smells like a Dwarf, then it's probably a Dwarf or a latrine wearing dungerees.
A box-office number is good for a producer and the industry to keep the turnover game on, but as an actor, I give importance to script. I will turn down a script, even if it guarantees Rs. 100 crore, when I'm not convinced with it.
We do not allow dwarf tossing. If you toss a dwarf, the dwarf will be tossed right back at you, but faster.
The super-salesman neither permits his subconscious mind to "broadcast" negative thoughts nor give expression to them through words, for the reason that he understands that "like attracts like" and negative suggestions attract negative action and negative decisions from prospective buyers.
I don't view myself as powerful. I mean, I view myself as a person that like everybody else is fighting for survival. That's all I view myself as and I really view myself now as somewhat of a messenger. You know, this is a massive thing that's going on. These are millions and millions of people that have been disenfranchised from this country. I was in front of a group yesterday, at least 25,000 people. The place was going crazy, and I said, I'm like the messenger.
All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script, and it's very linear. There's a script, then you're going to shoot the script ,and then you cut that, and then that's the end of the film. And that's never really been how I've seen it.
For example, I'm terribly proud. I'm as mistrustful and as sensitive as a hunchback or a dwarf; but, in truth, I've experienced some moments when if someone had slapped my face, I might even have been grateful for it. I'm being serious. I probably would have been able to derive a peculiar sort of pleasure from it-the pleasure of despair, naturally, but the most intense pleasures occur in despair, especially when you're very acutely aware of the hopelessness of your own predicament.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I think I'm an extremely conscientious producer and now equally as a director and it gives me the opportunity to look at the entire movie and really allow the movie to be the creative vision of the actors, the writer and myself, because I'm in charge of it from a producer and a director point of view.
I'm a happy-go-lucky manic-depressive. It does get very deep and dark for me, and it gets scary at times when I feel I can't pull out of it. But I don't consider myself negative-negative. I'm positive-negative.
I love Deadmau5 as a producer, as a person. He's super interesting. He's very funny to follow on social media. But as a producer, he gets every single credit I can give him. He's nuts.
You can be a hunchback and a dwarf and what-all. If you write beautifully, you can write beautifully.
A lot of people can be very scared about making themselves vulnerable and appearing uncool. I don't really give a damn; as long as it's funny, I'll do it [make fun of myself].
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