A Quote by Rod Serling

I find it very difficult to live through the censorship of profanity on television. — © Rod Serling
I find it very difficult to live through the censorship of profanity on television.
I use profanity because I like profanity, but I'm not vulgar. Big difference. I love profanity because I really think profanity is cool.
I don't think that my lyrics are over-laced with profanity, because I myself don't speak using a lot of profanity in normal conversation. But I think when you're making something aggressive and you need to get a point across, if you're angry, sometimes profanity is necessary. It's better to use a curse word than to hurt somebody else, I find.
I find it very difficult to relate to India's new middle class. This very patriotic and neoliberal group that mixes religion and economics together. I find them very irksome. Very difficult to like. They are privileged, but they don't want to talk about their privilege. It's difficult to find poetry amongst these people. Some sort of hidden spirit of beauty.
I have a very specific definition of censorship. Censorship must be done by the government or it's not censorship.
I find television, and particularly live television, very romantic: the idea that there is this small group of people, way up high, in a skyscraper in the middle of Manhattan, beaming this signal out into the night.
Grab love of life every day. Because we're all gonna die. It's difficult to live that way. Most people are afraid to. Or can't. I find it very difficult.
In a perfect world, there would be no censorship, because there would be no judgement. I find the hypocritical aspect disconcerting, to say the least. We can show people being murdered on television, but I'm not able to say "chickenshit" in public. At the same time, I understand that people are afraid. Because I think censorship is about fear. It's just fear being projected onto art.
Self-censorship happens not only in China, or Iran or ex-Soviet places. It can happen anywhere. If an artist penetrates a certain taboo or a certain power through their work, he or she will face this problem. I'm always saying that commercial censorship is our foremost censorship globally today. Why do we still pretend we are free?
I think that is one of the first things that I got clear in my mind when I began to play around with fiction, that I had to find a language and it was not in existance at the time. You have put it very well - it wasn't to be taken for granted. You had to go on and search until you found a way through the conversation of English and Igbo. The two languages stuck into each other and tried to find a way to express through one, the medium of the thoughts. That's a very exciting thing to do, a very difficult thing to do.
I find it quite difficult on studio films because there are so many different executives and things like that that you have to go through, so very often getting that definitive opinion is actually quite difficult.
I find it very difficult to relax. I find it increasingly difficult to find outlets for my frustration.
You live your life day by day and find ways to get through it. You grow up through things that are challenging and you find the joy. You realize there are so many people that have it much worse and remind yourself. I have been very blessed.
Television is perhaps the greatest medium ever discovered to teach and educate and even to entertain. But the filth, the rot, the violence, and the profanity that spew from television screens into our homes is deplorable. It is a sad commentary on our society. The fact that a television set is on six or seven hours every day in most of the homes of America says something of tremendous importance.
I am not asking for government censorship or any other kind of censorship. I am asking whether a kind of censorship already exists when the news that forty million Americans receive each night is determined by a handful of men responsible only to their corporate employers and filtered through a handful of commentators who admit to their own set of biases.
Thank God for television. I've been able to consistently work in television even when people say, 'Oh my God, I haven't seen you since this film or that project.' At least I'm working. It's very difficult to get that next movie role. I'm grateful to have the television world accept me.
The city is going to survive, we are going to get through it, It's going to be very, very difficult time. I don't think we yet know the pain that we're going to feel when we find out who we lost, but the thing we have to focus on now is getting this city through this, and surviving and being stronger for it.
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