A Quote by Rod Steiger
Anyway, so what he did was, he spread sheets for 100 yards and underneath them he'd put things so there were bumps and different levels and on top he'd put little bushes and if you didn't look to close, it looked like snow!
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Going to Europe as a budding cook opened my eyes to food in a different way. When I got to Italy, the first thing I did was put my little basil plants in the ground and watch them turn into big, healthy bushes.
Sharks attack surfers because they look like a seal. Apparently, when you're layng on your board and you have your arms and legs hanging off, from underneath you look like a seal. So I just got a picture of a seal and put a red line through it and put it underneath my board.
I'm trolling through the recesses of my mind for the things I did with my kids when they used to like to do things with me. They don't want to be around me now. I look back on these times - all those little funny pottery dishes that you'd pay for, and they'd paint, and they were ugly, and you glazed them, and you'd go back, pick them up, and it's like, "Oh, now I've got to put this on my desk." There's all that kind of stuff.
Albert and I would spend hours and hours looking at them. Cleo had this big magnifying glass on his desk, and we'd find centipedes and grasshoppers and beetles and potato bugs, ants . . . and put them in a jar and look at them. They have the sweetest little faces and the cutest expressions. After we'd looked at them all we wanted to, we'd put them in the yard and let them go on about their business.
To write it down was to put the finishing touch on any event, see what it was, what it meant, what it stood for. To put anything into words was like pouring melted wax on top of cold glasses of jelly, to harden there and preserve and keep what was underneath like new.
Grandad taught me that the alien signs and symbols of algebraic equations were not just marks on paper. They were not flat. They were three-dimensional, and you could approach them from different directions, look at them from different ways, stand them on their heads. You could take them apart and put them back together in a variety of shapes, like Legos. I stopped being scared of them.
When you're a choreographer and you put so much into a routine that's emotionally driven, those are like my ideas and my little babies that I have here and then I put them out there and they're there to be judged and looked at. When it's all over, it's just such a relief.
That first movie I did, Lucas [1986], was probably the closest to me. And Beetlejuice a little bit, in the sense that I did look like that. All they did was like put a little white powder here.
I've often tried to describe how memory works. I've suggested this to students, and told them to close their eyes and try to remember what I look like. Then I ask them if they remember what I look like. But when you open your eyes you will be surprised how different what you thought I looked like is to what I actually look like. Because the imagination is a different raw material from actual vision. Memory is very different from the thing itself.
If He put tribulation before you and said He will give you patience by giving you a little trouble along the way, wouldn't you take a little trouble? You say, 'Lord, I want all my highways paved.' the Lord says, 'I'm sorry, I can't accommodate you. I'm going to let you run over some bumps occasionally, so you will have patience.' You do not like the bumps, but you like the patience, and if you want the patience, you will have to take the bumps. And what is patience but experience?
I made a career goals list for 2017 and it's so funny. I have low self-esteem or something, so I put both wishes and goals. The goals were things I'm going to do anyway, because I have no choice because my job is to do stand-up comedy so I have to tour and I have to write stuff. The wishes were all things that could be goals. As in, I bet people who have achieved these things called them goals at one point. But I haven't looked at that piece of paper since.
If you put me in the fairway at my average distance into a par 4, 175 to 180 yards, and you put another player in the rough 120 yards from the green, over time, I'm going to wear him out.
I've had the acting bug since I was, like, five. But growing up, I saw how people treated me differently when they knew who my father was, even the stuff I did on the field. Sometimes I'd rush for 100 yards, and the headline would be, 'Denzel's son runs for 100 yards.' That's where the suppression of that bug came from.
The first things I remember drawing were battles - big sheets of paper covered in terrible scenes of carnage - though when you looked closely, there were little jokes and speech bubbles and odd things going on in the background.
The first things I remember drawing were battles - big sheets of paper covered in terrible scenes of carnage - though when you looked closely there were little jokes and speech bubbles and odd things going on in the background.
I prefer 100 per cent cotton Ts. They are kinder to lumps and bumps than figure-hugging stretchy Lycra ones and feel nicer against the skin. Extra-long-sleeved T-shirts are a lifesaver for me. I wear them either underneath a shirt with the sleeve pulled out of the cuff, or underneath gypsy tops, tunic tops and waistcoats.
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