A Quote by Rod Steiger

I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something.
Every day I wake up like, "This might be my last day, and I'm not scared of it. I'm gonna go out there, do what I gotta do; I ain't gonna let nothing stop me." Nothing puts any fear in my heart. I'm never scared to bite my tongue about something, or never be scared to come out and speak about something - that's what I mean. Like, I ain't scared of death. What you gonna do to me?
The first five years of my career, I was Inmate #1, Bad Guy #1 and Mean Guy #1. I had a great career going, until somebody told me that I was typecast. I said, "Well, what's typecast?" And they said, "Well, you're always playing the mean Chicano dude with tattoos." I thought about that and I said, "Wait a minute! I am the mean Chicano dude with tattoos, so somebody is getting it right."
During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set. While the cameras are rolling, I rarely look directly at the actors, but focus my gaze somewhere else. By doing this I sense instantly when something isn’t right. Watching something does not mean fixing your gaze on it, but being aware of it in a natural way. I believe this is what the medieval Noh playwright and theorist Zeami meant by ‘watching with a detached gaze.’
When you're watching a Bond movie, if there's a violent death, there's something about cleverly chosen twists, or what props are used, or some way that he's doing something that feels like an ironic twist, that feels like it gives the audience permission to enjoy watching it and to enjoy watching something that's otherwise just brutality.
Songs come from all over the place. You can't predict what you're going to like. You might like something that doesn't fit right now. What was working for you at one point, something you've loved for years and years, when you get together with everybody, you think, this doesn't match up with what's going on with you personally.
She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.
You know when you're doing something right and when you're doing something wrong. As long as you feel like you're doing something right, and you're getting rewarded, then you're successful. But, if you're judging it on, Well, if I had that, I'd be successful - that doesn't work. I think doing what you love is success. Pretty cheesy. But it's true.
People get surprised when they see you out buying a DVD at Best Buy like somebody else should be doing it for you or something! They're like, 'What are you doing your grocery shopping for?' Well, 'cause I'm starving!
But how can you walk away from something and still come back to it?" "Easy," said the cat. "Think of somebody walking around the world. You start out walking away from something and end up coming back to it." "Small world," said Coraline. "It's big enough for her," said the cat. "spiders' webs only have to be large enough to catch flies." Coraline shivered.
Of course, having a lack of emotions saves you from doing a big crying scene in the movie or something. I would try to remove myself from any situation before a scene or something like that, and just sit and think about absolutely nothing.
I know I didn't like that dress 'cause it didn't fit but I thought it was a great picture. We weren't the first band to do a picture in drag; The Rolling Stones were. If it was good enough for them then it had to be good enough for us.
I was wondering how you were going to punish me for not confiding in you. Punishment, actually, is something I've thought about for a long time. What form of punishment would be enough for what I did? Imprisonment? Death? Something else? Something scarier? I could only think of so many horrible tortures before they stopped having meaning. But you' you've come up with a punishment I never considered. You're going to sulk me to death.
Spiritual Balance is the obvious answer to the obsession that sometimes accompanies religious practice, occult practice, philosophical understandings - the assertion that one is right - that something that you're doing is better than something somebody else is doing, the way you're doing it is better than the way someone else is doing it.
Fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step.
I really don't want somebody writing something positive about me if they don't believe in it. I'd rather somebody write something real mean. I like reading bad stuff, it gets me excited. In fact, the only reviews I keep are the bad ones 'cause I think they're the cool ones.
Repetition is the mother of perfection. If there is true perfection, it's about doing something over and over again. I truly think that if somebody does a recipe they've never done before and gets it right, they're probably more lucky than they are talented.
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