A Quote by Rod Stewart
You got amphetamine eyes.
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If I had a staff of even one person, or could tolerate a small amphetamine habit, or entertain the possibility of weekly blood transfusions, or had been married to Vera Nabokov, or had a housespouse of even minimal abilities, a literary life would be easier to bring about. (In my mind I see all your male readers rolling their eyes. But your female ones - what is that? Are they nodding in agreement? Are their fists in the air?)
In today's amphetamine world of news junkies, speed trumps thoughtfulness too often.
When I started shooting speed, amphetamine, when I was 15, almost 16, it actually calmed me down.
I've jammed enough things up my own ass just trying to come on any amphetamine based narcotic.
Mel: Does Bret's girlfriend look anything like me? Murray: A little, around the eyes. Mel: Oh yeah? Big eyes huh? Murray: Well... she's got eyes.
The big question is always, 'Eyes or lips?' I tend to go with the eyes because I've got a lot more material to work with now - and it saves me from reapplying lipstick! I'm a pretty low-maintenance person and it's too excessive to exaggerate both the eyes and lips.
You wouldn't say ' You've got the crappest eyes I've ever seen. Your eyes make me physically sick.
Liberation is an ever shifting horizon, a total ideology that can never fulfill its promises. It has the therapeutic quality of providing emotionally charged rituals of solidarity in hatred - it is the amphetamine of its believers.
I am not lazy.
I am on the amphetamine of the soul.
I am, each day,
typing out the God
my typewriter believes in.
You've got all these characters and yet, you're hovering over one character like a fly over a stinky diaper. Realize that you've got a kickass superpower: you can possess and take-over anybody inside the story. With the power of Point-of-View, you can drag us along for the ride. You can shove us into their eyes, their minds, you can force us to piggyback on their experiences past and present. Sometimes untangling a knotted-up tale means looking at it from different eyes: what better eyes than those of the other characters inside the story?
I know some people say "Keep your eyes on the prize," but I disagree. When your eyes are stuck on the prize, you're going to keep stumbling and crashing into things. If you really want to get ahead, you've got to keep your eyes focused on the path.
When I got hit I went from having 37-year-old eyes to having 65-year-old eyes. That's why I've got the glasses on - so my eye isn't constantly trying to focus and giving me headaches. But they also help me see better: my right eye is blurry.
But I could always tell in her eyes if she got really pissed at me, and her eyes were still pretty smiley
I need to be in touch with the people. You've got to look in their eyes, and you've got to feel what they feel. You've got to engage people. All that we do and believe in is engaging people to touch, to heal, to look at each other's eyes, to feel with each other, to cry with each other, to moan, to groan, to rejoice, to be happy.
I'm lucky: I've got great photogenic eyes. You're up and running if you've got that and one brain cell to attach it to.
Everything's got space between it, the planets, trees, your eyes. Your eyes get too close together, it's a whole different world. You can lose perspective.
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