A Quote by Rod Taylor
I did well as an actor in Australia, and then Paramount invited me over... to have a look at me.
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Frequently over the years, people have thought that they know me. Every character actor has this story, I'm sure. It goes like this: 'Um, do you play soccer?' 'Did you go to such and such church?' 'I knew you when you were with so and so... ' Then I go, 'Well, sorry...' and then they say, 'Wait a minute. Are you an actor?'
What they did was to make a pilot and it may well go to series at the next festival but I don't have any news on that. It's already been on Paramount actually, but as it's on Paramount it'll probably be on several more times... hopefully.
I was on this boat in the middle of the ocean scuba diving for this film I did, and I was with actor Mackenzie Cook, who is in it as well, and I didn't have my phone on me. The producer of the film handed me over this phone and said "someone is on the phone for you Gemma," and here I am completely in all of the scuba gear on with the tank on, and a helmet. My agent just went "dum, dum, dum, dum"(hums Bond theme song), and I just knew then, and I went ahhhh madness, and I was over the moon.
The biggest thing about me, as an actor, is I'm never a finished product, you know? I always want to try something or be in a new genre because, one, it's much more fun to do that because you're not doing the same thing over and over. One of the greatest reasons is that it keeps stretching you as an actor. So, hopefully, my method is that it makes me a better actor, and a more believable actor, so then, the more experience I have in any way possible, in a drama or a musical genre, different formats of working, the better I can be on all different platforms.
I went to Tokyo three years ago. It was a job, though. I did an ad campaign for IBM, so they flew me out there to take pictures of me. It was IBM Global. It went to Australia, France, London, all over the world. But I think the ad campaign was a failure, because of me.
When I was a kid I used to scoot under the table, and whenever company would come around you know or my sisters or parents would tell me, go under the table and I'd do it because it was entertainment for the family or aunts or whatever. And one time at the Paramount when I first did it, you know, Brooklyn Paramount, I did it in the act during an instrumental and it got a big ovation and so I coined it as one of the things I should do in the act. And since I've been doing it.
I look for something that can challenge me or makes me ever so slightly afraid - fearful of how I am going to approach it - then I'll go for it. If the project appears linear or predictable, then I'll usually give it a miss. Anything that involves me being stretched as an actor, I go for.
I was invited to see Queen at Wembley - I think it was the last tour they did, and then afterwards, they had a huge party, which I was invited to - it was all thanks to EastEnders.
As an actor, it filled me with joy that 'Raazi' was well-received and it gave me an identity and improved me as an actor. It was Meghna Gulzar's guidance that brought out the best in me. She is a receptive filmmaker who knows the art of extracting a performance.
An actor has to remember the primary reason why he chose the profession that he did. If every role that I do doesn't challenge me, then what is the point of being an actor?
Honestly, I look at the project and I look at the people attached and I look at the director. If it's a role that I feel will help me, as an actor, then I'll definitely take it.
As kids we used to laugh/Who knew that life would move this fast?
Who knew I'd have to look at you through a glass?
And look, tell me you ain't did it, you ain't did it
And if you did, then that's family business.
I wanted people to respect me as a filmmaker. 'Heyy Babyy' did well, then 'Housefull' did well, so I wanted people to take me seriously.
I have about as much control over how I look as the guy who's short and looks more like a character actor - we both have the same drive to be actors and we both have the same drive to assume these different characters, it's just harder for me to get the chance because they look at me and say, 'Oh, he's this type,' and they stamp me.
Did you see me disarm Hermione, Harry?" "Only once" said Hermione stung. "I got you loads more then you got me—" "I did not only get you once, I got you at least three times—" "Well if you're counting the one where you tripped over your own feet and knocked the wand out of my hand—
If you're writing a bi character, did you look at a lot of bi actors for the role? Did you really go and find people that identified as queer? If you did, then great, and if you didn't find anyone you liked in that pool, well, that's surprising. If you write a character that's trans, the time is now - cast a trans actor.
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