A Quote by Roddy Doyle

The best way to reveal a character is to get them to open their mouths. — © Roddy Doyle
The best way to reveal a character is to get them to open their mouths.
when someone speaks he looks at a mouth, not eyes and their colors, which, it seems to him, will always alter depending on the light of a room, the minute of the day. Mouths reveal insecurity or smugness or any other point on the spectrum of character. For him they are the most intricate aspect of faces. He's never sure what an eye reveals. but he can read how mouths darken into callousness, suggest tenderness. One can often misjudge an eye from its reaction to a simple beam of sunlight.
The surest way to reveal one's character is not through adversity but by giving them power.
Every character needs an adversary - one who is both challenging and a contrast for the hero. The best adversaries reveal something about the character they're contrasting.
Dialogue is not always the best way to show emotion, to show your thought process, or to reveal yourself, as a character.
I look at my paintings for a very long time before letting them out of my studio. I like to get on the treadmill and look around at all of my paintings while I exercise. I try to stare them down to make them reveal their weaknesses. If they reveal weaknesses, they get repainted.
Style is the way we communicate who we are to people before we open our mouths.
The only way to truly know a person is to argue with them. For when they argue in full swing, then they reveal their true character.
Take a look at those two open hands of yours. They are tools with which to serve, make friends, and reach out for the best in life. Open hands open the way to achievement put them to work today.
When you denigrate people, they have two ways to fight back - with their fists and guns, or their mouths. And mouths are seemingly the easiest way to not get hit back. If people are laughing, they're not going to hit you.
The argument culture urges us to approach the world - and the people in it - in an adversarial frame of mind. It rests on the assumption that opposition is the best way to get anything done: The best way to discuss an idea is to set up a debate; the best way to cover news is to find spokespeople who express the most extreme, polarized views and present them as 'both sides'; the best way to settle disputes is litigation that pits one party against the other; the best way to begin an essay is to attack someone; and the best way to show you're really thinking is to criticize.
You can't tell an audience to like a character. And I think the best way to get the audience on someone's side is to embarrass them.
Usually there is a paradox in what a character wants. A conflict is built deeply within them. And then you put them in motion, throw everything at them until they reveal themselves further.
I will live to piss in the open mouths or the open graves of my enemies, whichever comes first.
Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?
Have faith. The Lord can magnify the words you speak and make them mighty. God doesn’t ask you to convert but rather to open your mouths.
You can reveal yourself on stage in a way that you can't on TV. If you drop a character on TV, it's death. Each character has to be ruthlessly, faultlessly played. But live, you can hint at what's going on behind. You can let the audience in a bit and go off the script.
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