A Quote by Roddy Piper
I was the first wrestler ever in the history of wrestling to star in a major motion studio picture that became #1 box office of the weekend, and that gave the itch to I don't know how many wrestlers.
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I knew I wanted to be a wrestler, so I became the best wrestler in wrestling history.
There's been no major motion picture released by a studio, no independent motion picture, in theaters, with King at the center, in the 50 years since these events happened, when we have biopics on all kinds of ridiculous people. And nothing on King? No cinematic representation that's meaningful and centered.
In my first fight, I acknowledged it. I'm a professional wrestler, this is who I am, who you know me as. But guess what, I've also been wrestling since I was 5 years old - real wrestling - amateur wrestling, Olympic wrestling.
The first wrestling event I ever went to was PCW Ultra in L.A., and it was insane. They had RVD wrestling, Shane Strickland, Penta, and all these incredible indie wrestlers.
As far as the hate, it makes me laugh. Everybody is a critic. Every critic I've ever had, they weren't wrestlers. Every wrestler I've ever had critique me, they were always into my stuff or what I'm doing out there. For a non-wrestler, someone who doesn't even know how to lock up, and if we did lock up, they wouldn't know what to do, for them to critique any of us, it really does pop me.
I understand it now because I worked with the best of the best, but I didn't get at first that people have an extreme passion for wrestling and the wrestlers. The fans are really intimately connected with each wrestler.
For a broad, star-powered picture like 'The Interview,' a big-tent release in 2,000 to 3,000 theaters is the top choice for a movie studio like Sony Pictures. It's the difference between a $1 million and a $10 million box office total.
I don't think you can name a good picture where the production or the possible promotion isn't "cast-contingent." That means the film needs not just star power but star box office power.
When I saw that Wrestlemania had broken an indoor attendance record, I just walked into a wrestling office, Championship Wrestling in Florida, during the offseason, and they introduced me to Hiro Matsuda, who became my mentor... and the rest is history!
I'm a wrestler at heart. And, for wrestling, we usually lose as much weight as we can. We're pretty stubborn. If we say we're going to do something, we do it. That's just how wrestlers are. I just felt like I was the bigger, stronger, faster guy at 170. That's why I did it.
This blacklisting is going to collapse because it is rotten, immoral and illegal. I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio. I will, proudly and by preference, do at least one picture a year for King Brothers, and I will try to make it the best picture that I have it in me to do
I don't hate L.A., but I'm nervous about becoming one of those people who has a ferocious interest in how films did at the box office that weekend and, you know, would want to meet for egg-white omelets in the morning.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
You can point to a lot of women showrunners that have had long and successful careers. In terms of the kinds of movies that women can get made, as long as the business operates under this model of the first-weekend [box office] focus, with huge movies aimed at super-young audiences, it will be really tough for women to do something that really changes the landscape. Because honestly, until they figure out how to get grown women into the theaters on the first weekend, it won't change.
I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio
I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio.
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