A Quote by Roddy Ricch
I like to talk about different subjects because then you give the people a chance to really digest something, and then take whatever they associate themselves with at the time.
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That's a really common trap that people in small scenes will start to rely on. They'll have all this material joking about that place, and then take a trip to Atlanta or whatever, and be like, "Half my act is gone because I can't talk about how everybody has a bicycle."
A fence can be protective around your family - a familial fence. Then, there are the people who only know how to take, to abuse, to offend and they build fences to keep you out. They don't have time to talk, they don't have kind words, they only talk about themselves. They never give an olive branch or forgiveness - they create a fence because of their personality or behavior and they want to create a barrier to keep people out.
All I ever wanted really, and continue to want out of life, is to give 100 percent to whatever I'm doing and to be committed to whatever I'm doing and then let the results speak for themselves. Also to never take myself or people for granted and always be thankful and grateful to the people who helped me.
Well, it's taken time to get this going, but he was right. If you give people a chance to associate themselves with a cause they care about, while buying a great product, they will. That was how the RED Campaign was born, here in Davos.
To parents who find a child's disclosure about sexual or gender identity challenging, I always urge what I'd call "moderated" honesty. If you can't say "I love you," then say something like, "I'm going to need some time to digest this news." Buy time this way. And then think.
If you give anybody the chance, they can always make a decent human being out of themselves. It's the people that don't have a chance, that we look down at like they're monsters or they're animals or that they want something different than the rest of us.
I get really worried, like if they say, 'Take vocal lessons,' or something because it's kind of like I used to really love to draw when I was a kid and then I took like an art class - because everyone said, 'Oh, you're so good, you should take a class and maybe you can be really good,' and then I went to the class and then they showed me how to use a ruler and perspective and all this stuff and it totally made me not want to do it at all.
Before I think we was emcees, we was more or less narrators too. Because if you look at the early '80s hip hop, it was so much creativity goin' on with artists like then, like Slick Rick, then you had Rakim, and you had these different kind of artists back then. And we was a marble cake of all these artists. So I didn't have a problem with writin' stories because I felt like that was somethin' I loved to do. Even to this day, I really consider myself an entertainer-slash-narrator. I like to talk about stuff that goes on.
I only try to talk to people about things I really do use in my shot. If I see something similar and something that will help them, then you try to come to them and say, 'I think I might have something for you. Think about it if you like it.' If they do, and they want to keep talking about it, then I will.
[Buckminster Fuller] was quite willing to talk. He'd talk at the drop of a hat.I learned to talk in front of people by listening to the way he did things. Because he would give lessons in how to lecture. He would say, "Never take a note, just stand up and start babbling. And then eventually you're going to be able to make some coherent statements, and so it's like you're vamping. And then people will gradually start to listen to you when this spot of logic shows up in this torrent of verbiage.
I like to talk about very different topics. I like to jump around a lot because I don't want people to come see me and then for an hour I tell jokes about being a little person. I just don't want that to happen. I understand that it's part of me, that's the first thing that you notice and it's something that people are curious about.
There are loads of sociopolitical, racial, class and future-planet situations that really interest me, but I'm not really interested in making a film about them in a film that feels like reality because people view that in a different way. I like using science fiction to talk about subjects through the veneer of science fiction.
I sing, but I also like to write. Creativity is the best part because you're then in your own zone and can talk about whatever you want to talk about - it lets you be free.
I don't really get that nervous about whether people like it. You can't do anything about that. It's more technical. You spend two years of your life obsessing, picturing sound details, and you work so hard to make a movie a certain way, that you get there, and you're like - is it loud enough or whatever, so that this experience with everybody in this room is the fairest chance I can get. And then if you like it, cool, and if you don't, whatever.
Music has become really important now. It's helped me to open up more and take a chance on loving people. Music is a good reason to care. It's just a vehicle though. It's a way to try and give somebody something that you feel. If trying the best I can isn't good enough, I'll just have to try harder next time...it's all I can do. If I do the best I can, then at least I did the best I could in this life The way I like to look at it is....if that's the last time /I ever got to play, I'd better give it everything I've got.
There are a lot of people that get interested in something, and they hear about it, and they read about it, and then they watch it happen, and that's why I had quite an interest in the lottery because you'd interest a lot of people, and then just a few would win a chance to do something.
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