A Quote by Roddy Ricch

I bought some equipment and then I started recording real heavy, in my room, when I was like 16. — © Roddy Ricch
I bought some equipment and then I started recording real heavy, in my room, when I was like 16.
When I was, like, 16 or 17, I was just finding out about this YouTube thing. Then I saved a bit and asked my parents for some help to get the recording software and equipment.
Around when I turned 17 and I bought my own studio equipment and started recording myself, I kinda found my own voice. I just started rapping like my normal self and this happy guy.
When I first started recording music, I was actually singing about microphones, equipment, recording.
I love music, and I loved dance music immediately. So I bought some equipment and started making my own. When I started this, I didn't say, 'okay I'm going to do this step and then this step' to become popular. I just created music that I loved.
When I started off in music, I started with a real innocence, a real love for the instrument, the writing the songs, the playing the songs and the sharing and the recording and experimenting. It was exciting. Then, this thing called success came, and something happened at some point where I became disenchanted, and I lost the innocence.
Playing a show is a monumental hassle. You've got to schlep all your heavy equipment into the van, then you've got to drive for five hours, then you have to schlep all the heavy equipment out of the van, onto the stage, set it up, do the sound check, hang around for three hours, then play the show, which is incredibly draining.
It's kind of too movie-like to say, "When I started climbing, I knew I wanted to climb Everest some day." Instead, I just started rock climbing as a kid, when I was 16, and then I started teaching and a buddy of mine started taking me out.
Eventually, my dad bought me a guitar for Christmas, and then I just went from there, man. I bought a drum kit a few years later and bought a bass, started producing, started singing.
The key to writing for Richard (Pryor) was to just push his buttons and then know when to push the buttons on your cassette recorder. You'd get him started, then surreptitiously start recording when he got inspired and started walking around the room and improvising in character. Then you'd get it all transcribed and take credit for it.
I found my voice singing pop and ballads, almost all of them Colombian artists. When I was 16, my family gave me a recording session with some Colombian producers, and that's where I started my career.
The day after my high school graduation in 1952, I headed to Alaska. I was 17. I started out greasing equipment, then became a heavy-crane operator. I made and saved good money there for two years.
I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16, I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
I saw Damien Rice in Dublin when I was 13, and that inspired me to want to pursue being a songwriter... I practised relentlessly and started recording my own EPs. At 16 I moved to London and played any gigs I could, selling CDs from my rucksack to fund recording the next, and it snowballed from there.
In high school I was in a band called Goodfight, but it was more me running around on stage. It was very punk inspired. Then I started to get into indie-rock and older music and decided I wanted to write my own stuff. I quit the band. Around 16 or 17, I started recording myself at home on keyboard and piano.
In fact, I'd just like to own something. Everyone thinks I'm glamorous, rich and famous but all I've got is some recording equipment and a battered old BMW.
Mackie is an electronics recording company backing me, and they're willing to invest giving equipment to schools that I choose, and they've already started doing that.
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