A Quote by Roddy Ricch
Kendrick Lamar taught me that life experience is an important part of being a good illustrator. When you're illustrating a story, you have to go based off of your personal experiences.
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I would say [Lamar] Kendrick, it`s always fun to see what happens when Kendrick takes the stage. And my two oldest kids are huge fans of him.
When I talk to kids, I'm really listening. When I do that, we have a little bit of a bigger connection than me being Kendrick Lamar and you being a student. It's almost like we're friends. Because a friend listens.
My pops put me on to Jay-Z and Kanye, and my discoveries would be like Future and Kendrick Lamar. I turned my pops on to Kendrick, Young Thug. I feel my mom made me play the Isley Brothers and real, real old music.
I want people to be like, 'Your album's just as good as Kendrick [Lamar]'s or Esperanza Spalding or Beck. I work just as hard as them.
I love illustrating for other writers because I am given stories I never would have thought of, and my work as an illustrator is always in support of the story.
Artists are not helper monkeys; they’re not in it to visualize 'your' story, because it stopped being 'your' story the moment you engaged in a collaborative medium. From here on in, it’s also the artist’s story, and if you’re working with an illustrator who’s any good at all, you as a writer have to tamp down any control-freak tendencies you suffer under and relax into the process.
Whether it's Kendrick Lamar or J. Cole or Common there are a lot of artists, especially rappers, who come from a background with a faith-based substance, and it's time for that substance to be celebrated and appreciated.
I have the ordinary experience of having the blender bottom come off in my room upstairs. I have the ordinary experience of being anonymous when I'm in an airplane talking to air-traffic control, and they don't know who they're talking to. I have a lot of common experiences. What's important is to be able to see yourself, as having commonality with other people and not determine, because of your good luck, that everybody is less significant, less interesting, less important than you are.
I find it interesting that authors of fantasy and science fiction novels are rarely asked if their books are based on their personal experiences, because all writing is based on personal experience. I may not have gone on an epic quest through a haunted forest, but the feelings in my books are often based on feelings I've had. Real-life events, in fantasy and science fiction, can take on metaphorical significance that they can't in a so-called realistic novel.
Me and Kendrick Lamar have had conversations for years back and forth, so that's my dude.
I don't think an actor needs to necessarily go through his things to do his job. I think it's way more important to imagine. And then, when you're imagining, your experiences, your images and your own personal things will show up, but you keep imagining. You don't get stuck in your own personal things, otherwise you are telling your story in every character, and that's not interesting for anybody.
It was actually working with Kendrick Lamar that pushed me further into the act of songwriting, specifically.
I like a lot of the new artists, but there's only one I can name that stands out to me the most: Kendrick Lamar.
I think it just takes one little snowflake to start a snowball to go down the hill. My contribution and, say, Kendrick Lamar's and some chosen others' start the snowball. That's all I can hope for. I don't know if I'm comfortable being quote-unquote a leader.
I have all of Kendrick Lamar on vinyl.
I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
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