Matter of fact, I watch tons of tube, but I also read tons of books so I can figure out what's true and what's fake, which isn't always easy. Books are like truth serum--if you don't read, you can't figure out what's real.
Books are like truth serum-- if you don't read, you can't figure out what's real.
I've read a lot of bad books. I used to review books for a living, and when you're a reviewer you read tons of terrible books.
Read good books. Read bad books - and figure out why you don't like them. Then don't do it when you write. If you are a science fiction or fantasy writer, going to conventions and attending panels is very useful.
I like to read first thing in the morning. I'm addicted to the Kindle. I read a lot of business books, because I feel like I should figure out how to be a real businessman before someone figures out that I'm not one. I really enjoy reading classics as well, which I try to work in once every two months.
I couldn't read. I just scraped by. My solution back then was to read classic comic books because I could figure them out from the context of the pictures. Now I listen to books on tape.
After I discovered my degree in photojournalism would only get me a job in a camera store, I taught myself lighting. I read tons of magazines and books and studied the photos trying to figure out how they were done. I bought some flash equipment and played around until I figured out how to make a subject look as I envisioned it should look.
I've never read a book on shape. I've read books on gesture; I've read tons of books on color, surface, field, ground, representation, abstraction. But I've never read a book on what a shape is.
I have a lot of books optioned. This one sat around for a while - part of that was just because I was trying to figure it out, and I didn't realize I needed Pam to figure it out - but I'm not somebody that likes to option books and then sit on them.
I read all types of books. I read Christian books, I read black novels, I read religious books. I read stuff like 'Rich Dad, Poor Dad' and 'The Dictator's Handbook' and then I turned around and read science-fiction novels.
I read fantasy books like the Harry Potter books, 'Twilight,' also biographies, and I like to read about people who have been through stuff like wars or lost their families - real life stuff, you know? I like to read about their experiences and how they coped with that.
We did tons of research. We went to visit a prison. We had speakers. We have read tons of supplementary material, books and articles. We are constantly emailing articles around the writers' room. We have dipped ourselves in prison culture and lore and media, and the experience and the people. We really want to be as informed as possible.
When people talk about fake news, you know, a lot of folks just roll their eyes, like 'Oh, you know, whatever; people will figure it out.' The truth is, they don't always figure it out.
I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henry's old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period.
I read numerous books - loads in fact - and, as I always do when recording a historical project, immersed myself into the subject matter. I spent many hours at Henrys old homes, such as Hampton Court, and visiting the Tower of London. I read no other books during that period.
I read tons of books, listen to music non-stop, watch as many movies as possible, catch a play when I can, art shows, concerts, bar talks - I just try to engage in art, which to me is everywhere, as often as I can because narrative lives in it all.
It's the same with this idea of a literate public, and also of a democracy in which people have access to and really read the best books. It turns out that even when you create this kind of environment, maybe only 10 percent of the people want to read those books.