A Quote by Rodman Philbrick

I was never forced to write. At least, I was never forced or even encouraged to write fiction. Creative writing wasn't in the curriculum at my school when I was in sixth grade.
I would never write about someone that forced me to write at a lower register than what I can write.
I think the fundamental thing about writing fiction is that you write what interests you and what inspires you. It can't be forced. I see no need to write about anything else or any other type of world.
In sixth grade, I went to a very good private school, and I did learn there. I learned how to read and write. If I had quit school in sixth grade, I would know as much as I know today and would have made one more movie. By the time I got to college, I was so bored and angry.
The secret to writing is just to write. Write every day. Never stop writing. Write on every surface you see; write on people on the street. When the cops come to arrest you, write on the cops. Write on the police car. Write on the judge. I'm in jail forever now, and the prison cell walls are completely covered with my writing, and I keep writing on the writing I wrote. That's my method.
I never thought it was unusual to write, and I've been writing or pretending to write since before I even started school.
Some men […] choose to seek greatness, while others are forced to it. It is always better to choose than to be forced. A man who is forced is never completely his own master. He must dance on the strings of those who forced him.
When you write fiction, there were things about Washington that I've experienced and wanted to write about, including the swamping nature of it, the compromises people come to town and are forced to make, and also, when writing about Joe McCarthy, the indecency and lies that he put forward that people didn't take a stand about.
In high school, in 1956, at the age of sixteen, we were not taught "creative writing." We were taught literature and grammar. So no one ever told me I couldn't write both prose and poetry, and I started out writing all the things I still write: poetry, prose fiction - which took me longer to get published - and non-fiction prose.
I had been encouraged a lot by my parents and my sixth grade teacher, James Doyle at Main Street Elementary School. He was an early supporter of my writing ability.
I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
I never learned to read or write music. Never wanted to fool with scales. That was boring, forced. The music I heard was free - flowing.
The rewrites are a struggle right now. Sometimes I wish writing a book could just be easy for me at last. But when I think about it practically, I am glad it's a struggle. I am (as usual) attempting to write a book that's too hard for me. I'm telling a story I'm not smart enough to tell. The risk of failure is huge. But I prefer it this way. I'm forced to learn, forced to smarten myself up, forced to wrestle. And if it works, then I'll have written something that is better than I am.
I could never write about strange kingdoms. I could never do 'Harry Potter' or anything like that. Even when I did science-fiction, I didn't write about foreign planets and distant futures. I certainly never did fantasies about trolls living under bridges.
I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."
I could never write about strange kingdoms. I could never do Harry Potter or anything like that. Even when I did science-fiction, I didnt write about foreign planets and distant futures. I certainly never did fantasies about trolls living under bridges.
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