A Quote by Rodman Philbrick

I assumed 'Freak the Mighty' was probably too weird and melodramatic to find a publisher. I certainly never expected the book to have a profound influence on my career as a writer, but indeed it has.
I wrote Freak the Mighty because Max, the mighty half of Freak the Mighty, insisted and he's bigger than I am.
What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.
I'm a writer. I never expected to be recognised on the street. I never expected to get that kind of coverage, good or bad. I never expected to sell as many books as I have.
Certainly, I had a wonderful push from my publisher and got very lucky. I'm very aware of what it means to have a publisher back you. But your job as a writer, no matter what else is happening, is to continue to produce work-whether you're succeeding or failing.
If the real world were a book, it would never find a publisher.
As difficult as it is for a writer to find a publisher-admittedly a daunting task-it is twice as difficult for a publisher to sort through the chaff, select the wheat, and profitably publish a worthy list.
Write what you care about and understand. Writers should never try to outguess the marketplace in search of a salable idea; the simple truth is that all good books will eventually find a publisher if the writer tries hard enough, and a central secret to writing a good book is to write on that people like you will enjoy.
Certainly my parents were a huge influence. They always expected the most out of all of us. And expected us to do our very best. I'm thankful to them for allowing me to do what I wanted to do.
As a publisher what you are trying to build is a long life for a book, to help it find its readers in many different ways, whether or not it made this list or got that review, etc. I'm sure some of that thinking has been useful to me as a writer as well.
I've never really found inspiration for story ideas in the news, but I'd say it certainly affects our lives in so many ways. I would say that certainly the stories of the day appear in the work - I just have never gone so far as to say, well, this particular event could influence a plot of an entire book.
I certainly never expected to be a professional actor. I never expected to be in movies. I thought I would probably become a teacher.
If the real world were a book, it would never find a publisher. Overlong, detailed to the point of distraction-and ultimately, without a major resolution.
When I receive a new novel from a hopeful publisher - "hoping that I like the book as much as he does" - I check first of all how much dialog there is, and if it looks too abundant or too sustained, I shut the book with a bang.
I've never translated more than one book by any author. But I'm fascinated by translators who have, like Richard Zenith, who's translated so much of Fernando Pessoa's work. I get restless for a new kind of influence. The books I've translated are books I want to learn from as a writer, to be intoxicated by. And translation is an act of writing in itself. It's an act of recreation - of a writer's cadence and tone and everything that distinguishes the voice in the book.
A lot of times, when people send me books to read - new writers mostly - I find that the book is still in a draft stage and that before it can leave the writer's hands and head to a publisher, it needs about five more revisions. Some people don't want to do that.
I would hate to be that person who is, you know, the mystery writer who has to deliver a book every year to publisher X.
This site uses cookies to ensure you get the best experience. More info...
Got it!