A Quote by Rodman Philbrick

Unfortunately, the author of a book pretty much gives up control of the story when the producers take over a book to make it into a movie. — © Rodman Philbrick
Unfortunately, the author of a book pretty much gives up control of the story when the producers take over a book to make it into a movie.
Every filmmaker knows that when you make a book into a movie, the first thing you have to do is kill the book, unfortunately. You've got to recreate it.
An author is somebody who writes a story. It doesn't matter if you're a kid or if you're a grown-up, it doesn't matter if the book gets published and lots of people get to read it, or if you make just one copy and you share that book with one friend.
You know, not every good book needs to be a movie, or a television series, or a video game. There's great work in those mediums, of course, but sometimes a book should remain a book. I still believe nothing tells a story with the richness and complexity of a good novel. When people say they think a book would make a good movie, they say this sometimes because, if it worked, they already saw all the images in the movie theatre that is in their brains. And sometimes that is the way it should stay.
I find inspiration in many places. Sometimes music gives me the kernel of a story. Sometimes it's dissatisfaction with the plot of a movie or a book that gets me thinking. Sometimes it's love of a movie or book.
Shorter work - personal essays and book reviews - allow me to take a break from working on a book, which is good for the book and for its author.
I know a movie and a book are two different things and you are going do different media in different ways. No author can want a movie to be exactly like the book because then it will be a bad movie.
When a book, any sort of book, reaches a certain intensity of artistic performance, it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.
Trinkets' is based on a book, so sometimes to take one book and spread the story out so much doesn't really do the story justice. Everyone just decided that two seasons would be the perfect amount of time.
No one really knows the value of book tours. Whether or not they're good ideas, or if they improve book sales. I happen to think the author is the last person you'd want to talk to about a book. They hate it by that point; they've already moved on to a new lover. Besides, the author never knows what the book is about anyway.
I have a new book coming out, so I do movie, book, movie, book, movie, book, every place we go.
Wayne Wang, the director of Because of Winn-Dixie the movie, understood the book and transferred as much of the feeling of the book onto film as humanly possible. I think he did a fabulous job. And also I'm thrilled because the movie brings people to the book - people that wouldn't know about the book - and that's a great thing.
I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.
An author writes a book, and that's the book at that point. And if the author writes the book again, then somehow something has gone wrong, if you see what I mean.
Like pretty much every short story writer, I submitted to every market under the sun and hoped for the best. The rejection letters I've collected over the years can probably make a book of their own.
A book is a book, but a movie is a movie. The more faithful you are, the more you'll come up with Harry Potter #1 and #2, which are like filmed books on tape. They're so petrified of turning off the readers that they make no concessions to the fact that they're trying to make a piece of cinema.
It's much more difficult to make an unbound book than a bound book, because the factories aren't set up to make an unbound book.
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