A Quote by Rodney Atkins
Where I'm fortunate and why I think I've thrived and survived, through the not having albums out every year-and-a-half, is not taking the songs lightly and trying to make sure I've got consistency.
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America is a country that went through an extremely difficult set of circumstances out of 9/11. And we've survived it as a country, and I think we've survived it as one people. And we all ought to be concentrating on trying to make sure that we move forward as one people out of that terrible experience.
It's dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you're feeling deeply. Just lightly let things happen and lightly cope with them. So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That's why you must walk so lightly. Lightly my darling.
I make sure the best of what I do each year is the only material that gets on my albums; I don't want people to think I put out junk.
Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.
I like albums where all the songs are written in one go. If you're trying to create the number-one album with the best songs ever, I get why you'd want to write for three years and pick the best ones, but for me, I'd rather hear a group of songs that are all expressing a state, or time of your life. I think it's more that.
I would have issues with directions songs were taking, but I never heard one of Carlos' [Dangler] basslines and said, "I don't like that, do something else." The same goes for the beat and the guitars. I think that's why we were able to make four albums together.
I think that the idea of having a different approach to every single one of my albums is so exciting to me. I never want to make the same record twice. Why do it? What's the point?
I was in a coma for a long time and in and out of the hospital for a year. For sure, when I'm in a fight and having a hard time, I think back to that time because that was the worst. No matter how bad things are, my attitude is that it's nothing compared to what happened then. Thank God I survived it.
As a crew, G.O.O.D. Music is taking it to levels that really haven't been done collectively. Kanye is someone who knows how to make classic albums, a true thinker. He got me in the mindset of being a true thinker and always planning out every move you got going.
When I got hit I went from having 37-year-old eyes to having 65-year-old eyes. That's why I've got the glasses on - so my eye isn't constantly trying to focus and giving me headaches. But they also help me see better: my right eye is blurry.
I think the big challenge that we've got on education is making sure that from kindergarten or prekindergarten through your 14th or 15th year of school, or 16th year of school, or 20th year of school, that you are actually learning the kinds of skills that make you competitive and productive in a modern, technological economy.
After putting out quite a few albums, there's a feeling of why make another? I was trying to make something that was an album experience.
I'm always trying to challenge everyone to raise the game on the artistic level. We are supposed to be the best. Make sure we don't get complacent or comfortable, and always trying to push the limit on trying to write great songs. At the end of the day it's why we do what we do.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
I'm mainly a dancer, but I've been offered to write songs on albums this year, and that's really cool. I never thought I'd get to do that. It's out of my comfort zone, but I loved having that input. It makes you feel more involved, when you have that creative control.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
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