A Quote by Rodney Atkins

It's really hard to find a love song that is real. That's when you really strike a chord with somebody, when you dig in deep and grab a hold. — © Rodney Atkins
It's really hard to find a love song that is real. That's when you really strike a chord with somebody, when you dig in deep and grab a hold.
I love those kinds of parts that don't seem to be huge but they really strike a chord with the audience.
You have to dig deep to make great music, and it gets harder and harder. It's a difficult, painful process to reach deep in there and pull out the real gems. And you have to have that little bit of anxiety of, 'Can I really do this? Am I good enough?' You need that in the recipe to really get down in there.
It's weird that you have to work really, really hard just to be real or normal. Everybody's got their different techniques, but what makes a really good actor is somebody who's really believable.
There's a truth to the fact that it's hard to be real. It's easy to be indulgent. It's easy to be bubble gum, but it's hard to find a real thing that really makes your soul tick. It's painful and honest. It can be more challenging than just a sad song.
It's an interesting opportunity to do a long-form character and really have the time to find the nuance over an extended period of time. You can really dig deep.
My songs, they have just the one chord, there's none of that fancy stuff you hear now, with lots of chords in one song. If I find another chord I leave it for another song.
I really love 'Cold Song.' If anyone really listens to that song and thinks about their life, there's a lot of good material deep down in there. I think if you listen to the lyrics, it may take you on some sort of a journey.
The music I really like to get off on is the old rhythm 'n' blues and rock 'n' roll stuff... that's what I really dig. And I also dig to sing ballads as well. And I also dig writing my own songs. I was just trying to find a way of integrating the whole thing, taking a look at the total picture.
Headline writers love the phrase 'Power Grab,' but you can't really grab it, can you? Power is a greased watermelon, a wisp of smoke, difficult to grasp, harder to hold, impossible to control while getting both feet down in bounds.
Love is just such a crucial, wonderful thing, and if you are lucky enough to find somebody who genuinely loves you, grab that person and hold on to that person, and nothing else matters.
I have a wonderful piano that I really love: a handmade Yamaha grand. Sometimes I'm sitting there, and it sounds so good that I find some little melody or a phrase that leads me into a song, but probably more often than not, I actually grab a notebook.
It's not hard to create a song, but to write a song that's really going affect somebody? That takes a hell of a lot of time.
I guess, really thinking about it, I always assumed when you missed someone , it was tangible...something real you could grab and hold on to, but it's a not-there feeling.
If you were a kid and you wanted to come out and make a statement now, you'd have to really dig deep to find something that no one has exposed already.
I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.
When you've written a song, sometimes it's really hard to wrap your brain around what somebody else is doing, or maybe the way that they see the song.
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