A Quote by Rodney Crowell
When I was 12 years old, or however old I was when Bringing It All Back Home came out, I'd just skip back and forth endlessly between 'Subterranean Homesick Blues' and 'It's Alright, Ma' and 'Mr. Tambourine Man,' and now my Bob Dylan roots are showing big time.
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"Subterranean Homesick Blues" [of Bob Dylan] captures, in word-salad format, life in an encroaching police state.
I base my roots and history in old blues, old country and old bluegrass, and I like rock 'n' roll, and somehow it all came together, and that is what I am playing now.
The drama teacher that I had in high school, back in Texas, was the only teacher who didn't kick me out of his class. He turned me on to 'The Freewheelin' Bob Dylan.' I had picked up Dylan with 'Bringing It All Back Home,' and he turned me on to the first couple of albums, which I hadn't heard.
My father was always playing this ethnic blues stuff around the house, and both my parents played. Then one day my father brought home Big Bill Broonzy, and there he was sitting in our living room playing, and blues was in my heart from the time I was 12 years old.
Really great moral teachers never do introduce new moralities: it is quacks and cranks who do that.... The real job of every moral teacher is to keep on bringing us back, time after time, to the old simple principles which we are all so anxious not to see; like bringing a horse back and back to the fence it has refused to jump or bringing a child back and back to the bit in its lesson that it wants to shirk.
There would be brilliant songs, but, as [Bob] Dylan admitted on the recent Martin Scorsese documentary about him (No Direction Home), the specific muse that inspired "It's Alright Ma" would not return.
The young cast that's coming in now, Dylan Sprayberry and Khylin Rhambo, they're great! Dylan Sprayberry came out to surf with me a couple of weeks ago and he's such a good kid and he's a kid! I mean he's 16 years old, and you forget the energy and the dynamics and the mindset of a real 16-year-old. It's just beautiful! It's limitless energy and just a whole different kettle of fish. I think that they're a great addition to the show.
Except in these latter-day songs, [Bob] Dylan is a grizzled old prophet who's already been to hell and back.
I haven't changed my views much since I was about 12, really, I've just got a 12-year-old mentality.When I was in school I had a brother who was into Kerouac and he gave me On The Road to read when I was 12 years old. That's still been a big influence.
My brothers used to call me Bob. They'd laugh at me, and I didn't get it. I'm 13 years old at the time, and then one day my brother's friend says, 'You know what Bob stands for? 'Booty on back.' You're fat.' Like my butt was so big I could reach for my wallet over my shoulder. And I broke down.
I know where "Blubber" came from. It came from stories that my daughter told me when she came home from fifth grade. There was a kid in the class who was being bullied. We didn't even call it bullying then, that's what's so weird. Victimization in the classroom. The word bully was so out, was so not in use for all those years and now it's back big time.
After 12 years, the old butterflies came back. Well, I guess at my age you call them moths.
I had a really good childhood up until I was nine years old. Then a classic case of divorce really affected me and I moved back and forth between relatives all the time. And I just became extremely depressed and withdrawn.
I was writing rap at 12 years old and began writing songs as a 20-year-old. I think I wrote my first song in the winter of 2008-2009, when I was in Buenos Aires. I was writing about growing up and my boys back home.
If we could magically transport ourselves back to the young Earth, when it was only a billion years old or two billion years old or three billion years old or four billion years old, we wouldn't be able to survive. We would have a hard time surviving if we were transported to the time when dinosaurs were around.
A brilliant 1989 album, Oh Mercy; some career retrospectives; and two albums of American folk songs, with just Bob Dylan and his guitar and harmonica. All that culminated in the Grammy-winning comeback album, Time Out of Mind (1997). Once again, just as Dylan seemed to be out of it, he was back at the top of his game.
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