A Quote by Rodney Crowell
He speaks four letter language because his mind is small. His voice is like venom, I don't like him at all.
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Obama hasn't lost his standing because of tricks played by the Republicans. He hasn't lost his standing because the media's not fair to him. He hasn't lost his standing or his approval number because the media spent four years attacking him like they did George W. Bush. This is all on him.
When you play somebody, you pick up a lot of their gestures, his voice, the way he speaks, his body language. You don't often get that opportunity.
In four ways ... should one who flatters be understood as a foe in the guise of a friend: He approves of his friend's evil deeds, he disapproves his friend's good deeds, he praises him in his presence, he speaks ill of him in his absence.
That's the difference between the serious artist and the craftsman--the craftsman can take material and because of his abilities do a professional job of it. The serious artist, like Proust, is like an object caught by a wave and swept to shore. He's obsessed by his material; it's like a venom working in his blood and the art is the antidote.
He who speaks from the lips chatters. He who speaks from an empty mind adds confusion to discord. He who speaks from a full mind feeds the minds of men. He who speaks from his heart wins the confidence of mankind. But he who speaks from his soul heals the heartbreaks of a world and feeds the hungry, starving souls of men. He can dry the tears of anguish and pain. He can bring light, for he will carry light.
His desperation and misery swept her up like a storm capturing the sea. She turned her mind to even these feelings, because they were his, like his terrified rage in the lift when they had first met, being wrapped in his arms in the cold well, being dazzled by his wonder at the woods and her home and her. Like being a child, awareness of him the morning chorus that woke her and the lullaby that sent her to sleep, his thoughts always her first and last song.I love you, Kami told him, and cut.
We [Americans] know Martin Luther King Jr. as a statue. We know him as a holiday. We know him as a speech. We don't know him as a man. Most people don't even know the whole speech, just "I have a dream." They don't know what his speaking voice was like, how he looked at his wife, or that he had four kids.
It is no small comfort that God hath written some Scriptures to you which He hath not to others. Read these, and think God is like a friend who sendeth a letter to a whole house and family, but who speaketh in His letter to some by name that are dearest to Him in the house.
The stillness of the calm is awful. His voice begins to grow strange and portentous. He feels it in him like something swallowed too big for the esophagus. It keeps up a sort of involuntary interior humming in him, like a live beetle. His cranium is a dome full of reverberations. The hollows of his very bones are as whispering galleries. He is afraid to speak loud, lest he be stunned; like the man in the bass drum.
The skeptic says that the believer has lost his own mind under God. On the contrary, it is the people who follow God who are most like his children, who willingly and consciously walk in his will; but those who oppose him oppose him vainly and at their own expense, and, figuratively, seem to be more like his tools. They don't diminish his glory, but instead he still manages to use them in ways of unconsciously carrying out his will.
Because when I thought of him, of his voice, his hypnotic eyes, the magnetic force of his personality, I wanted nothing more than to be with him right now.
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong." He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin. "My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
I never met Johnny Cash personally, but I feel like I did because I listened to so much of his music, and even though he's gone, it's still there: you can go pull a vinyl record out and hear his personal thoughts and his voice and feel connected to him.
Maybe he sees it on my face, that fraction of a second when I let my guard down, because in that moment his expression softens and his eyes go bright as flame and even though I barely see him move, suddenly he has closed the space between us and he’s wrapping his warm hands over my shoulders—fingers so warm and strong I almost cry out—and saying, “Lena. I like you, okay? That’s it. That’s all. I like you.” His voice is so low and hypnotic it reminds me of a song. I think of predators dropping silently from trees: I think of enormous cats with glowing amber eyes, just like his.
Donald Trump speaks his mind. If you like it or you don't like it, at least you know where he stands.
How could you not know?" His voice was full of wonderment. "You changed me utterly. You were like a...like a bright, wonderful bloom in a garden full of weeds. Like a graceful capital on a page of plain script, a letter decorated with the deepest, finest colors in all Erin. Like a flame, Caitrin. Like a song.
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