A Quote by Rodney Crowell

It evoked Picasso and Miles Davis for me — two great artists who totally indulged themselves in their work and who they were, but they certainly didn't give a damn what other people thought.

Rodney Crowell

Quote Topics

Artists Certainly Damn Davis Give Great Great Art Great Artist Me Miles Other People Picasso Themselves Thought Totally Two Were Work

Quote Author

Rodney Crowell
Algerian - Musician
Born: August 7, 1950

I saw Al Foster with Miles Davis the other week. It was beautiful. But, the whole thing was, Al Foster played as well as everybody else, but all of them were quite brilliant under Miles Davis' direction.

Charlie Watts

I work with many jazz artists as Miles Davis, Laughlin, etc.. One of the things all these artists had in common is that they had no fear.

George Duke

Miles Davis and Felonious Monk, they're both great artists who enhance things.

John Gourley

When we came up, Clive Davis and other record execs would do anything to keep Miles Davis, Aretha Franklin, even Johnny Mathis intact, because they wanted to keep alive a musical legacy. As a result, those artists were able to spend 30 to 40 years in the business and still make a living, still have a fan base.

Philip Bailey

Today, a young person that doesn't know themselves will totally be sold some other situation. Let's do your avatar. You know? And young people are going out, spending what little they have to try to buy themselves when they don't have themselves, or they feel like they don't have themselves. To me, that's like a damn pimp tragedy.

Chuck D

The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot and coincidentally we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.

Nile Rodgers

The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot, and coincidentally, we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.

Nile Rodgers

Dave Rocha is a mature and eminently musical improviser. His sumptuous tone and cafefully chosen notes embody real musical thought. His performance of 'Dear Old Stockholm' at Chez Hanny evoked favorable comparisons to Miles Davis' classic recording.

Frank Hanny

When I first came to New York, in the '70s, artists were certainly divided about the Andy Warhol persona, and about the work. I thought it was utterly cool - I thought the Factory was utterly glamorous - but there were a lot of artists I really admired and respected who were older that kind of dismissed it, couldn't get it, and felt that there was a lack of seriousness about it.

Laurie Simmons

Miles Davis had been in retirement for five or six years and he was coming out of retirement and he was looking for young guys. Somebody gave him my name and he called me and said, "Can you show up at Columbia Studios in two hours?" I'm like, "Whoa, is this the real Miles Davis?" He's like, "Yeah." So I showed up and yeah, it was intimidating, but music is so important to me that the intimidation was all before the notes started.

Marcus Miller

My musical selections are a reflection of how I grew up. Because, back then, you could see Miles Davis and Ravi Shankar on the same stage. And nobody thought anything of it, other than the fact that it was great music.

Dianne Reeves

Ultimately, it comes down to taste. It comes down to trying to expose yourself to the best things that humans have done and then try to bring those things into what you're doing. Picasso had a saying: good artists copy, great artists steal. And we have always been shameless about stealing great ideas, and I think part of what made the Macintosh great was that the people working on it were musicians and poets and artists and zoologists and historians who also happened to be the best computer scientists in the world.

Steve Jobs

One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.

Branford Marsalis

Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.

Roy Lichtenstein

Artists were always referred to as great artists. I thought that's what the profession was. One word: great-artist. There wasn't one moment in my life when I thought I wanted to be anything else.