A Quote by Rodney Crowell
As I started to study old blues recordings and really pay attention to my favorites, it really started to come to me that all of my favorite pieces of music weren't produced, they were performed. The producer is nearly invisible: no thumbprint other than the composition and the performers.
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Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.
As single-mom female inventor, there was no path for that, so really I don't think people took me seriously for a really long time. Certainly the Miracle Mop being my first successful product, people started to pay attention, and I guess now they really pay attention.
When I'm alone at home, I really prefer to listen to Wagner's orchestral music rather than any vocal music. I find it illuminating not to have to pay attention to voices in the recordings.
There's the way modern music is produced, which is, 'Here's a piece of music, and I'm the producer, so pay me and make sure my credit is right and get me my splits.' But I'm trying to go backward. Now, it's more like 'What's the texture? What's the over-arching story?' There are more things to pay attention to than 'Is this the right snare?'
Nirvana really touched me as a teenager and started making me pay attention to music as a participatory thing that I could do.
Nirvana really touched me as a teenager and started making me pay attention to music as a participatory thing that I could do. Music that you want to throw your body into it - that's a feeling that I'm not quite satisfied with having made yet.
I got into one of the Scottish classical styles called piobaireachd, which is a very old music that started around the 1700s or something. I really got into this music. After that, I started to compose bagpipe music in my notations. Then I started building bagpipes by myself, and then I started to perform with the instrument myself in the 1980s.
That's how it all started, when I met my wife. My music career, even though I started when I was 16, it never really started till I was like 30, when I started singing and writing my own songs, and that's when it really took off. But prior to that, I was just doing a bunch of covers.
There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.
When I started saxophone, my dad took me to my uncle's church, and I started playing there, too. At its best, music serves a greater purpose, and that showed me a whole other side to spiritual jazz, one which you can hear in the music - the gospel and blues feel, the soul that's embedded into the more avant-garde records.
I had a hard time when I came back to Sweden and started school, because I looked different. And we moved to a really small town on the west coast of Sweden, and there were no brown people around. It didn't really get any better until I started music school at about 10 years old.
AC/DC, Def Leppard, Alice Cooper - I learned stories of all these guys. That's when I fell in love with Queen, which is one of my favorite bands of all time... I started paying attention to what made music good. I started paying attention to why I liked it.
Nowadays, especially when you think of electronic music, it's like, the producer is mostly the one who makes the music or the beats and everything. But I am more, since I'm that old, when I started to make music the producer was just sitting in the back shouting and drinking beer.
When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
Seeing Rush the first time was huge for me. That was my favorite band and I couldn't believe they were actually in the same building as me. I was totally freaking out when the show started and when they started to play it was almost like cartoon characters coming to life. I couldn't get my head around the fact that it was really them.
I really like United States so I pay attention to what goes on here. I don't really pay attention to what goes on overseas or in other countries, unless it affects us, then I'll pay attention.
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