A Quote by Rodney Crowell

The chances of getting Townes to like it were very remote. When I wrote 'Til I Gain Control Again,' Townes Van Zandt sort of nodded. And I thought, 'Yes!' — © Rodney Crowell
The chances of getting Townes to like it were very remote. When I wrote 'Til I Gain Control Again,' Townes Van Zandt sort of nodded. And I thought, 'Yes!'
I knew Townes Van Zandt a little bit.
I love John Denver. Townes Van Zandt is one of my all-time favorites.
Townes Van Zandt ranks alongside Kris Kristofferson and Bob Dylan. He inspired so many songwriters to shoot for something that's timeless.
Townes Van Zandt is the best songwriter in the whole world, and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that.
My first job in the film business was working as a production assistant, and then a production manager on a documentary about Townes Van Zandt.
When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.
I started out as a folk singer, and kinda got sidetracked playin' honky tonks and such, but I was always a working musician. I didn't want to be Townes Van Zandt or Guy Clark, but I wanted to play in front of their audiences, you know what I mean?
All I cared about was the music, like hearing Townes [ Van Zandt] talking about "For the sake of the song"; it's all that mattered. In spite of me a couple of things happened, mainly the Eagles and Seven Bridges Road. That certainly helped me survive. Joan Baez, Rita Coolidge, and Ian Matthews did it.
Every time I finish a song... most of the time it's in my own head, like this sounds too much like a Townes Van Zandt song, or whoever. I realize there are so many melodies and chord progressions in pop and rock music that are so similar that you can kind of trace it back to other things. Most of the time it's just in your head.
I kind of came from the Townes Van Zandt school of throwing yourself off a cliff and then that's what you write about, and that rule number one of creative writing is you have to have conflict. But if you write about yourself mostly, then if you don't have conflict, then you create it. And the older I get, the more I realize that that's not a very smart way to do this. Not to say I'm the most self destructive person on earth, but it's easy to do.
If I'm a director and I read a script and I say yeah I really want to do this, I would never walk away because the deal wasn't very good - that I wasn't getting paid very much or that the chances that I would see anything on the back end were remote because of the financial waterfall and the way it's structured. I would never use that as a reason not to do something.
My grandparents lived with us. And I remember watching 'Doctor Who' with my granddad on his new telly. These were the days before remote controls but my granddad, being quite a resourceful sort of chap, had fashioned his own remote control - which was a length of bamboo pole with a bit of cork that he'd glued on the end.
Steve Van Zandt is a very intelligent, smart guy. He's a historian, he knows a lot about rock n' roll, a lot about music.
As you gain control of the mind, you gain control of life and you gain control of your time. It all works together.
Until I became a parent, I thought children just naturally knew how to catch a ball, that catching was an instinctive biological reflex that all children are born with, like knowing how to operate a remote control or getting high fevers in distant airports.
J.D. nodded. Yes, yes, fine, thank you. Nice attitude, by the way. Like boss, like secretary.
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