A Quote by Rodney Crowell
For the most part, this record is autobiographical. At some point, the story of 'The Houston Kid' takes my experiences from 6 to 15 years old, and it sort of cross-pollinates with other kids in my neighborhood. It fuses their experiences with what was going on in my life.
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Some people aren't smart enough to understand the intellectual part of a being. That's why as a 30-year-old you don't have a conversation with a 15-year-old. I don't dine with 15-year-olds and talk about life. Our experiences are completely different.
There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
It was a little harder when I first went to Egypt when I was 18 years old and being a white woman with a knapsack and in blue jeans. But again I was part of the rucksack revolution there was some grace there. You could put it that way. And confidence as well because I thought of myself as a poet. That was part of it. I was going for that, to have experiences to make the work.
Every day I learn something new, and, you know, you go through life's experiences, and if you can bring every experience at some point somewhere in every drama or every story that you have to portray, you will come across an emotion or a feeling you have had some point in your life.
Joy' to me is a reflection of the life experiences that I've had throughout the first record and kind of having some time and a hiatus. It's just like all of those experiences that I had during that period - that growing up period.
All of my books are based in some way on my personal experiences, or the experiences of members of my family, or the stories kids would tell me in school.
Everyone experiences bullying at some point - there are always older kids who think it's cool to pick on the younger kids.
Being a part of '12 Years a Slave' has been one of the most profound experiences of my life.
All our thoughts and concepts are called up by sense-experiences and have a meaning only in reference to these sense-experiences. On the other hand, however, they are products of the spontaneous activity of our minds; they are thus in no wise logical consequences of the contents of these sense-experiences. If, therefore, we wish to grasp the essence of a complex of abstract notions we must for the one part investigate the mutual relationships between the concepts and the assertions made about them; for the other, we must investigate how they are related to the experiences.
I talk to our kids now that they are grown up, and I ask them about the experiences that had growing up that really had a powerful influence on the way they view the purpose of life. The experiences that really shaped their values - my wife and I have no memory of those experiences!
Do not take life's experiences too seriously. For in reality they are nothing but dream experiences. Play your part in life, but never forget that it is only a role.
You go through life experiences. Each record captures a different turning point in my life.
A trouble with poetry is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions. I try to presume that no one is interested in me. And I think experience bears that out. No one's interested in the experiences of a stranger - let's put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.
Looking back through the mists of time, I recall some distinctly religious experiences in my teens--when I was only fourteen years old to be precise. These experiences opened my mind to the idea of a Creator and that caring for other living things was a Christian duty. My parents were not strongly religious at the time and when I announced at that youthful age that I wanted to be a priest, it not unnaturally provoked some incredulity, even mirth. In the same year, I became a vegetarian, which--for family and friends--was even more vexing.
For many people a job is more than an income - it's an important part of who we are. So a career transition of any sort is one of the most unsettling experiences you can face in your life.
My greatest experiences in the theatre and the most religious experiences in my life - of which going to the opera is one for me - have been with the Romantic composers' repertoire: it's Wagner, it's Strauss, Verdi, Puccini. That era gets me every time.
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