A Quote by Rodney Crowell

I knew Townes Van Zandt a little bit. — © Rodney Crowell
I knew Townes Van Zandt a little bit.
The chances of getting Townes to like it were very remote. When I wrote 'Til I Gain Control Again,' Townes Van Zandt sort of nodded. And I thought, 'Yes!'
I love John Denver. Townes Van Zandt is one of my all-time favorites.
Townes Van Zandt is the best songwriter in the whole world, and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that.
Townes Van Zandt ranks alongside Kris Kristofferson and Bob Dylan. He inspired so many songwriters to shoot for something that's timeless.
My first job in the film business was working as a production assistant, and then a production manager on a documentary about Townes Van Zandt.
I started out as a folk singer, and kinda got sidetracked playin' honky tonks and such, but I was always a working musician. I didn't want to be Townes Van Zandt or Guy Clark, but I wanted to play in front of their audiences, you know what I mean?
All I cared about was the music, like hearing Townes [ Van Zandt] talking about "For the sake of the song"; it's all that mattered. In spite of me a couple of things happened, mainly the Eagles and Seven Bridges Road. That certainly helped me survive. Joan Baez, Rita Coolidge, and Ian Matthews did it.
When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.
Every time I finish a song... most of the time it's in my own head, like this sounds too much like a Townes Van Zandt song, or whoever. I realize there are so many melodies and chord progressions in pop and rock music that are so similar that you can kind of trace it back to other things. Most of the time it's just in your head.
I kind of came from the Townes Van Zandt school of throwing yourself off a cliff and then that's what you write about, and that rule number one of creative writing is you have to have conflict. But if you write about yourself mostly, then if you don't have conflict, then you create it. And the older I get, the more I realize that that's not a very smart way to do this. Not to say I'm the most self destructive person on earth, but it's easy to do.
Stevie Van Zandt could not walk on to a set and act. I don't know how actors do that! It's the scariest thing in the world.
Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
Steve Van Zandt is a very intelligent, smart guy. He's a historian, he knows a lot about rock n' roll, a lot about music.
I knew that I had to find out more about van Gogh. Even though I was far too young, and felt I did not have sufficient technique to write a book about Vincent van Gogh, I knew I had to try. If I didn't I would never write anything else.
I wasn't enjoying golf much. I was kind of getting a little bit tired, I was getting a little bit moody, and I was constantly getting angry. That's not me. And when I saw that I knew I had to change.
I knew that I needed to do something that I desperately loved. There was a period where I did question if it was acting because I knew that I would be making things hard on myself. I knew that there was going to be a little bit of a hullabaloo because of my dad being who he is and all that.
This site uses cookies to ensure you get the best experience. More info...
Got it!