A Quote by Rodney Mullen
As a kid, I grew up on a farm in Florida, and I did what most little kids do. I played a little baseball, did a few other things like that, but I always had the sense of being an outsider, and it wasn't until I saw pictures in the magazines that a couple other guys skate, I thought, 'Wow, that's for me,' you know?
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I've always felt a little different than everyone - you know, most of the other kids in my class - and I didn't quite see things the way they did or I didn't experience things the same way they did. I often felt a little bit like an outcast.
Being a teenage model was lot of fun, like playing dress-up. I'd feel ugly and awkward and chubby, and they'd transform me. Not that that makes everything better. Then my mom shopped the pictures around, I guess, and the agencies started calling. I wound up going with a little agency, Spectrum. It all happened really quickly, I started modeling for magazines like YM and Seventeen, and I did a couple of bigger things like Italian Vogue.
When I was a little kid I wanted to be Face. I thought, cos I had blond hair and he did too, that when I grew up I'd look like him.
Since I was a little kid, I did like fairy tale. I did dress up like Little Red Riding Hood. My mom had to make me a cape.
Mind you, as a little boy, I always had other interests from most kids. I was not a boy who rubbed around baseball bats. I always had the storytelling instinct, even as a child. I was a very imaginative little boy.
Basketball has always been a sport I loved and grew up playing. For me, it was one of those things that... I guess baseball was just in my genes a little bit. I have a lot of cousins that played baseball. Basketball is not an easy sport - you definitely got to be gifted to play that game. I felt like I was pretty good at it, but my ability was better in baseball.
My question is "when did other people give up the idea of being a poet?" You know, when we are kids we make up things, we write, and for me the puzzle is not that some people are still writing, the real question is why did the other people stop?
The school I went to was a little farm school in Wannaska, student body 61 or something. There was a kid, the only black kid in our county, Dustin Byfuglien. He won the Stanley Cup a couple years back with the Blackhawks. Out of a class of 21 kids, he and I always had to be on opposite teams on everything because we were the most athletic.
When I grew up, I lived in the ghettos of Hollywood; it was the most disgusting place to be. I was known as the crazy little kid. I did impressions. Then I realized that's not what I want to do. I don't want to be a comedian to please other people.
I feel like I've always been a weirdo. I always grew up with the sense of being a total outsider. I grew up so alienated from other people, and it never went away. When I'm around "normal" people I behave around them as if they are crazy, which makes me seem crazy.
If you're a history buff, you know about J. Edgar Hoover. He was likely the most powerful man in the US. If you start reading about him, the books contradict each other constantly. I was often left with very little sense of the man personally. I had a sense of what he did and didn't do and what people disagreed about whether he did this or didn't do this or that, but I was like, "Why? Why was he doing all of this?" That was my big question.
Once upon a time, growing up male gave little boys a sense of certainty about the natural order of things. We had short hair, wore pants, and played baseball. Girls had long hair, wore skirts, and, no matter how hard they tried, always threw a baseball just like a girl.
The fact that my students could be in a little college in a little college town on the coast of Rhode Island, and be connecting in other countries with other people, did open them up and empower them and their sense of being. Whether it affected their writing, it's hard to tell.
That first movie I did, Lucas [1986], was probably the closest to me. And Beetlejuice a little bit, in the sense that I did look like that. All they did was like put a little white powder here.
I was able to go over [Saxophone Competition] and work a little more in Europe. I'm thankful that those of kinds of things. Simultaneously, some nice things did come in. I got a nice festival that came in, in Virginia through that. There was a club that opened in DC in the famous Willard Hotel near the White House. And the club was called The Nest. I played there a few nights. Some musicians in Philly and D.C. kind of brought me down and got me on a couple things. So things opened up a little bit.
How did females become 'guys?' How did everyone become 'guys?' Remember, too, that a male guy was something of a scoundrel. And a wise guy was a fresh kid, a whippersnapper. In its most other famous evocation, men in Brooklyn said 'youse guys.' Damon Runyon referred to hustlers, gamblers, and other nefarious types as guys.
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