A Quote by Rodrigo Santoro
Sometimes in Brazil, I work harder to make characters different and believable and to overcome the persona I have.
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I feel my fuller-bodied characters are all in the independent films I do, and in the studio productions, I have to work harder to dimensionalize the characters. And that's certainly part of the job description of an actor - that's what you're supposed to do - but you have to work harder at it in the characters that I've encountered in studio films.
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.
I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different.
Different presidents are different as far as their public persona vs. their persona meeting with advisers. For example, George Bush was pretty much the same in person as when he was speaking publicly. I think Donald Trump has a stage persona and he also has a temperament when meeting with his advisers. Now, the positions are the same, but the attitude is a little bit different.
There is a blueprint that young female singers seem to follow to make it, to make some noise when they first come out. And it's a hyper-sexualized persona. And the thing is that it works. And they do make noise. But the problem is if it's not authentic to you, then you're trapped in that persona. And you have to live that persona 24/7.
Many writers write across difference of one kind or another. Sometimes the difference is large and recognizable: gender, or race, or religion, or sexuality. And sometimes the differences are smaller. ... Where authors get into trouble is in trying to make those different characters stand in for whole groups of people, or for creating characters only to fetishize or explore their supposed otherness. Your character can be wildly different from you, as long as he's written with respect and, moreover, specificity.
When the characters are believable and endearing, action scenes, for example, make an impact. Otherwise, the audience gets no kick out of action. The biggest strength of 'MCA' is that its characters are real.
I feel like my responsibility as an actor is to make characters as compelling and believable as possible.
I love the wilder, more outlandish characters that are hard to make believable. Those are the ones I want to play.
I think characters are most terrifying when they're relatable. It's best when your most horrible characters make sense, and are believable. That's when a movie is most terrifying.
I had a persona as a player, and I know this will come as a shock, but I liked to talk. But don't let the persona overshadow the person. The persona liked to have fun. The person knew when it was time to get to work.
Generally speaking, people who know me will tell you that my public persona is not that different from my private persona.
Sometimes it's good to not have money because it does make you work a little harder.
I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.
In true-life dramas, you have to do so much research. It's a big responsibility to make sure things are as correct as possible. In 'Robin Hood', you have more artistic license - it's all action, adventure and reaction. This gives everyone a chance to make their characters their own and to make them believable.
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