A Quote by Roger Ailes

I look for something unique, and I look for people who haven't reached their potential. I think I'm pretty good at developing talent. — © Roger Ailes
I look for something unique, and I look for people who haven't reached their potential. I think I'm pretty good at developing talent.
We look to find partners whose values align with that of our artists. We also look for unique platforms that the potential branding partner can provide. Sometimes that's distribution, and sometimes it's an advertising platform. Each situation is unique.
If you look at what Ben Affleck has gone on to do, as an actor and as a director, it's extraordinary. But if you look back at his career, I don't think it's surprising. From Good Will Hunting on down, the guy is a monster talent, and I think talent wins out, in the end. There's always the ebb and flow of any career, but I think talent wins out, in the end.
The key to greatness is to look for people's potential and spend time developing it.
I'm very comfortable with how I look. I always have been. I think I look pretty good. There's nothing I want to change. I'm pretty happy with what I've got.
I think I look pretty good. And I know there are human beings my age who look the way I do. There must be stories about us - not just about people who are young and good-looking.
I pretty much always choose characters. That's what I do. That's what I look for. I look for dynamics in a script and potential.
When looking for new talent, I always look for artists who have something unique about them or are clearly on a mission.
According to this law [the law of Dharma], you have a unique talent and a unique way of expressing it. There is something that you can do better than anyone else in the whole world--and for every unique talent and unique expression of that talent, there are also unique needs. When these needs are matched with the creative expression of your talent, that is the spark that creates affluence. Expressing your talents to fulfill needs creates unlimited wealth and abundance.
In mythology, the Medusa can petrify people with a look - which is a good thing, I think. But the Medusa is a unique symbol - something strong. It’s about going all the way.
In mythology, the Medusa can petrify people with a look - which is a good thing, I think. But the Medusa is a unique symbol - something strong. It's about going all the way.
In design I look for something I'm drawn to. I try to look for an immediate connection with something - something I just fall in love with. I feel if people have to explain to you why it's good, it's not so good.
Being a superstar means you've reached your potential, and I don't think I've reached my potential as a basketball player and as a leader yet.
Clothes that make people look twice, that's what makes me feel good - where it is something that I know is unique and different.
Everybody has talent and it's just a matter of moving around until you've discovered what it is. A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night - and also something that you have a talent, not a talent for, but skills that you have a natural ability to do very well. And usually those two things go together.
Look at nature - look at birds, look at fish. Things that look good, work good. People don't get the message of ergonomics.
I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
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