A Quote by Roger Allam
Practice, learn the lines, work hard, don't be too respectful. Sometimes we can get too hung up on the fact that the material of the play is very finely wrought language.
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To play so as to be relaxed and refreshed for work is not to play, and no work is well and finely done unless it, too, is a form of play.
With curious art the brain, too finely wrought, Preys on herself, and is destroyed by thought.
What some people wanted was sometimes too hard to get, and the stress of trying was sometimes too hard to deal with... Maybe doing well in life was just too hard for some people.
SuperMemo is based on the insight that there is an ideal moment to practice what you've learned. Practice too soon and you waste your time. Practice too late and you've forgotten the material and have to relearn it. The right time to practice is just at the moment you're about to forget.
I tend to feed the trolls because it gives me material for my work. I'm sometimes taken aback by the racist and antisemitic abuse I get, but most of the time I'll get angry for a second, and then remind myself, 'This is material.' The trick is not to be too reactive.
Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice.
Sometimes I can listen to music - sometimes there's no choice, especially if I'm out writing at a coffee place. But sometimes it's too distracting. If I'm listening to something I really love - I have to stop and give everything over to it. I'm listening to its structures, its melodic lines, the bass. It takes up too much of my head - in a good way.
Sometimes you can press a little bit and you're trying to do too much and you're trying too hard. You want to win so bad and you want to help the team so badly that you end up trying too much instead of letting the play come to you.
The way I work, and the material we work with, I think if you analyze too much and have too many specific ideas, it just becomes a little bit too superficial, and then performances might become too self-conscious and project relatively narrow things.
Practice makes perfect and if you practice battling and competing and working hard, then that will transfer over in a game. If you practice just kind of floating around out there in practice, you know that's going to transfer over, too. So I think the harder you work and the more you compete, then that's how you're going to play in a game.
I was so grateful to work on 'Bunheads.' We had so much material, and everything was so rapid-fire, and I developed - through theater too, I developed a really great work ethic. I think preparing for both of them is just that - you come to set ready to go, ready to play. You know your lines. You're ready to work.
Even if you are born with a silver spoon, you have to work hard. I mean, you could be offered films on a platter, but if you don't get up in the morning and learn your lines, it is not going to work.
I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
People assume a lot of things about gymnasts - that the girls work too hard, it's way too much for them, they are too young to work so hard.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch tv too much. We have multiplied our possessions but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living but not a life. We've added years to life, not life to years.
I couldn't have asked for a better acting partner and a better human being to work with. We have to work very closely together, and I felt, in our screen test, that we had really good chemistry, but I wasn't sure if I was just making that up. Max has written a really finely wrought bromance. I have complete trust in Elijah [Wood].
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