A Quote by Roger Avary

In some ways, I think 'Pulp Fiction' hurt cinema in a very, very minor, small way. It did a massive amount of good. But it also made it impossible to make a movie even remotely like it without someone comparing it to 'Pulp Fiction.'
In some ways, I think "Pulp Fiction" hurt cinema in a very, very minor, small way. It did a massive amount of good. But it also made it impossible to make a movie even remotely like it without someone comparing it to "Pulp Fiction".
My mom did this really cool thing: when 'Pulp Fiction' came out on video, she made, like, a 'mommy edit.' She took two VCRs and dubbed 'Pulp Fiction' from one tape to the next and edited out all the parts she thought were unsuitable for a kid. It was basically, like, the opening and ending credits.
Meanwhile, however, what’s most bothersome about Pulp Fiction is its success. This is not to be mean-spirited about Tarantino himself; may he harvest all the available millions. But the way that this picture has been so widely ravened up and drooled over verges on the disgusting. Pulp Fiction nourishes, abets, cultural slumming.
'Pulp Fiction' is an amazing film, and I haven't made one nearly as good.
'Pulp Fiction' is my favorite movie of all time.
Pulp Fiction is my favorite movie of all time.
It remains a mystery to me why some of that [pulp] fiction should be judged inferior to the rafts and rafts of bad social [literary] fiction which continues to be treated by literary editors as if it were somehow superior, or at least worthier of our attention. The careerist literary imperialism of the Bloomsbury years did a lot to produce fiction's present unseemly polarities.
I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.
I will never do Pulp [Fiction] 2 but having said that, I could very well do other movies with these characters.
I will never do 'Pulp Fiction 2,' but having said that, I could very well do other movies with these characters.
I don't think Pulp Fiction is hard to watch at all.
I didn't read a lot of comic books. But I was into 'Dandy and The Beano,' which were like a weekly pulp fiction that featured characters like Desperate Dan, Dennis the Menace, and Billy Whizz - pretty simplistic stuff but very entertaining.
Given that most movies are bad, and that there are whole categories and sub-categories of badness - the sequel, the Madonna Movie, the Friday 13th Series, or Movies Starring John Travolta Before Pulp Fiction - it is almost impossible to choose a single film for worst movie of all time. But strangely, I do have a nomination and I believe it is actually the worst movie ever made. It is Boxing Helena. The director is David Lynch's daughter, and the film comes with the almost insane-making faults that the family connection might imply.
I had this whole issue of doing a crime film in the 2010s. The genre's been mined very, very heavily. Post-Scorsese, post-Tarantino, post-Guy Ritchie, what do you do? I wasn't attracted to pulp so much as all of a sudden I had a pulp problem. I had to find a way to make this interesting, because there's a lot of crime films that come out on VOD every week, and a number of these star Nicolas Cage.
A pulp story without a detective and, obviously, somebody for him to do battle with is unthinkable, and I can't remember reading a pulp story that didn't have a dame - either a good girl or a bad girl.
I think, for sure, 'Saturday Night Fever' and 'Pulp Fiction' were kind of bookends for - or the pillars of - my career.
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