A Quote by Roger Chamberlain

Too much to lament a misery is the next way to draw on a remediless mischief. — © Roger Chamberlain
Too much to lament a misery is the next way to draw on a remediless mischief.
To mourn a mischief that is past and gone Is the next way to draw new mischief on.
When remedies are past, the griefs are ended By seeing the worst, which late on hopes depended. To mourn a mischief that is past and gone Is the next way to draw new mischief on. What cannot be preserved when fortune takes, Patience her injury a mockery makes. The robb'd that smiles steals something for the thief; He robs himself that spends a bootless grief.
The next thing is by gentle degrees to accustom children to those things they are too much afraid of. But here great caution is to be used, that you do not make too much haste, nor attempt this cure too early, for fear lest you increase the mischief instead of remedying it.
Preserve your peace of mind. There is not much time; all things end in death. Do not lament the past too much, or fear the future too acutely, ot waste too much energy on other peoples' woes, in case the present dissolves altogether.
Apple is a wonderful company for its customers and investors. So, too, Pixar. (NeXT, not so much...) But Apple is also an engine of misery for its subcontracted Chinese workers.
It did not look like the work of God, but it might have represented the handicraft of a God with a joyous sense of humor, a dancing God who loved mischief as much as prayer, and playfulness as much as mischief.
There is no end to the undeserved misery and mischief it could create.
Do you think you can love too much? Or experience too much beauty, at the cost of too much pain? Do you think when art is defined by expressing so much beauty and so much pain, just to be able to cope with both - and bring other people something creatively beautiful at the cost of that pain - that we can draw a line of 'normalcy'? It's important to think about.
Science has not yet mastered prophecy. We predict too much for the next year and yet far too little for the next 10.
Friends love misery, in fact. Sometimes, especially if we are too lucky or too successful or too pretty, our misery is the only thing that endears us to our friends.
We as a people, as a state, and as a community, have too much promise, too much potential, and too much at stake to go any other way than forward. We are too strong in our hearts, too innovative in our minds, and too firm in our beliefs to retreat from our goals.
Why does it help to read others' stories? It is not only that misery loves company, because (I learned) misery is too self-absorbed to want much company. Others' experiences did help with my emotional struggle.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
There's too much of everything - too many bands, too many albums, too much information all the time. You're seeing fewer album releases treated as big events, because of the influx. It's almost a "here this week, forgotten next week" thing.
The problem was, I enjoyed Question Period too much and loved the challenge it provided. Far from being a dreaded burden, it had become an exciting part of my life; opposition members attacked me, I fought back, I won or lost or held them to draw, and the next day we did it all over again.
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