I'm not going to shoot seven days a week. I think it's counterproductive. I think you're going to have people stumbling around after a couple of weeks.
But I think we're going to have people who work from home a couple of days a week, three days a week, four days a week. And I'm perfectly comfortable with all that.
A couple of weeks before the 1992 Houston Open, I was probably as low as I could get confidence-wise. I didn't think I was going to go any further, and then, out of nowhere, I won that week. That kind of got me going.
God built the Earth in seven days and seven nights, that's how I'm going to approach doing the album. So when it's time for me to actually finish up the album and do final cuts of everything, I'm going to line it up in seven days and seven nights. I'm going to document it, out the footage out, show people it's not a fluke.
I think that technology is the best thing that ever happened to mankind. It's an absurd notion that somehow, 'My God, what are we going to do when driverless cars come along?' It's going to save lives on the road. And maybe, one day, we'll all be working four days a week and not five or six days a week.
If you laugh, you think, and you cry, that's a full day. That's a heck of a day. You do that seven days a week, you're going to have something special.
I think a lot of times photo sessions is just a test, maybe, for models. Sometimes it's for money. I'm going to shoot a girl in a couple weeks in Italy who has been writing me for a couple years. She sends photos all the time and it's kind of like a game. A lot of times people write and then they just want to see if I'm interested. If I say I am, I never hear from them again.
You find your limits by going out and trying. We're just like anybody else in any other job. You just can't work 90 hour weeks. You can't do it. We can't sing seven days a week.
I'm working seven days a week in the fall. I couldn't possibly keep that up. This is only for the fall. In the last couple of years I've tended to do most of my serious writing in the winter, when there's nothing going on with football.
I've watched all (of Webb's) dunks on tape. I talked to him about what his preparations were going into the dunk contest. He just said he practiced a couple of days before. That's what I did. I practiced for two weeks, I know my routine, and I'm going to go in there, and I'm not going to shy away from it.
Every couple of years - no, that's every couple of weeks - I think I'm going to give up acting.
I go into my workroom seven mornings a week. There will only be one or two mornings a week where it seems to be going well, but to earn those days you have to go through slow, slodgy days where your mind feels like porridge.
A lot of guys can shoot two, three, four, five, six, seven, 10 feet behind the 3-point line. A lot of people can do it. It's just, when is it going to be considered a good shot? When are coaches going to encourage you to shoot that shot?
My daughter just graduated college and she's a dance major. She's done a couple of dance videos already and won Miss Massachusetts a couple of weeks ago. She's going out for Miss United States the second week of July, out in Las Vegas. She will probably wind up going to New York and trying the Broadway thing.
I trained 8 hours a day 7 seven days a week and I had 2 weeks off in a year.
America is not going to side with the people that think our best days are behind us. It's not going to side with the people that think we pit people against each other, even if they believe at their core - which I think some of these people do - that, you know, ultimately Trump would make things better.
I usually work seven days a week and rarely take vacations, which is both lame and unsustainable. I don't mind the idea of writing seven days a week, I suppose. Getting some work done early in the morning. But ideally I would love to take one day a week off.