A Quote by Roger Ebert

Sometimes, it's all about the casting. — © Roger Ebert
Sometimes, it's all about the casting.
There's racist casting, and there is normal casting. Normal casting, to me, is a process that strives for representation and, in many cases, strives to simply portray the world as it actually is instead of as falsely non-inclusive. And sadly, sometimes that involves removing the whitewash that exists on history.
Sometimes it's all about the casting.
Casting is everything. I put a huge amount of work into casting, and consistently across my career, I am most proud of my bold choices I made in casting.
There are always discussions about casting stars in lead roles in theater - especially when you're working with commercial producers - and it's not something I'm against, not at all. But any casting has to be right for the project.
For me, when you're casting known talent, you're not just casting their performances. You're casting the public's relationship with them, their public images to a degree.
If you work in casting, it's sort of not cool to want to act. A lot of people think that casting directors are frustrated actors, but it wasn't true with any of the casting people I knew.
The most exciting part of the casting process was casting out of Israel, which was a really unique process, mainly done remotely from California, looking at casting tapes.
Transgender casting is a kind of literalism. It is the same with racial casting. This means that you can now only play Othello if you are black. There is something quite tainted about it. It is a form of racism in itself.
My casting in 'Halo' produced by Steven Spielberg, which I am doing, is just color-blind casting; Asians have been questioning why best roles should not come to them and I am so happy about this color-blind casting. I am going to be just what I am in that film.
Sometimes casting falls in place easily and sometimes it takes a while. Fifty per cent of my job is done when I get the right actors.
People obsess about casting and representation, but really, all the real work is behind the camera. Casting an Asian American into a bad role where they're shoehorned into these stereotypes is worse than not having cast them at all.
I think that anytime you're doing casting and you're casting something that has a lot of existing fans you're going to get a lot of opinions about whether it matches fans vision.
The casting of any film is around 60% of the film, but it's also about the right casting insight. It's a bit like a house of cards, everyone has to match up in a certain way so the whole structure is grounded. So that's essential, and yes, it's about finding the right people and the right constellation around the lead character.
I have a very simple philosophy when it comes to casting, and it really is casting the best person for the role.
Casting is an art, and if you're interested in people, like I am, casting is essential.
I like interesting casting, and casting people who you think might be slightly different in parts.
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