A Quote by Roger Ebert
Films like Fargo are why I love the movies.
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Film is a wonderful thing and it can be so many different things. I don't want to turn my back on any of the different ways movies can be. I love the movies. I love going to the films. I like very serious films, I love foreign films, and I love big, fun movies - as long as they're well made and they've got good scripts. That's the most important thing.
We love movies like 'Edge of Tomorrow.' It's why we go to the movies, and it's why we make movies.
I love superheroes and I love weird horror films... I could definitely feel that there was a lack of movies like The Martian being made: smart genre movies that can appeal to adults.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
Specifically for 'Faults,' the three films I mention most as inspiration are 'Dogtooth,' 'Fargo' and 'Punch-Drunk Love.'
First Love' is one of my most hopeful movies. It's about love and relationships, so in that way it's different from my other films. That's why it's special for me.
I like superhero films, and I love Star Wars movies, but I want to make sure there's a wide diaspora of films getting made.
I'm a 'Harry-Potter'-till-I-die kind of person. Those are the movies I grew up on. I was like, 'Why would I want to watch any other movies when there's 'Air Bud' and 'Harry Potter?'' It makes no sense why I have to expand my movie-viewing experience when I have two really wonderful films.
I always feel like you can take a genre that has a familiar structure to it and then reinvent it as a character piece. Suddenly, what's old is new again. With 'Fargo,' I adapted a movie without any of the characters or the story. Yet somehow it feels like 'Fargo.'
I would watch films like 'Frances Ha' and 'The Squid and the Whale,' and wonder why we weren't making these beautiful slice-of-life movies. Then I thought, 'Why am I not doing it?'
I don't even know why, but my entire career is contemporary films. Entire career! There's no period movies - there's one - but there's no period movies, no special effects movies. I just do character studies and so, some of them are gonna bump into each other, but I love the challenge, with a good script. I love the challenge of playing not a very pleasant or attractive character that seduces an audience or wins an audience over by the end.
I love films, I love movies, I love television, I love television series, I love the internet, I love anything that enhances images. But most of all, I love, love movies.
The romance is essential. I love the love. I don't love just people struggling. I love what people are struggling for. That moves me. I love watching people be loving, and I find it enchanting, magical and transporting. It's one of the reasons that I go to the movies, and that's why I like putting it in movies.
I like to see people put themselves into films, which is part of the reason why I love Woody Allen films so much - I believe his actors' work. I have a feeling that many actors in his films are similar to their characters, and I like that.
I love films. It's really funny, actually. Like, I see a lot of smaller movies. But a lot of these big, epic films that everyone's like, 'You have to see,' I haven't watched yet.
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