A Quote by Roger Ebert
The film argues to the young that the old were young once, too, and contain within them all that the young know, and more.
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When an old man and a young man work together, it can make an ugly sight or a pretty one, depending on who's in charge. If the young man's in charge or won't let the old man take over, the young man's brute strength becomes destructive and inefficient, and the old man's intelligence, out of frustration, grows cruel and inefficient. Sometimes the old man forgets that he is old and tries to compete with the young man's strength, and then it's a sad sight. Or the young man forgets that he is young and argues with the old man about how to do the work, and that's a sad sight, too.
When you are young, you think that the old lament the deterioration of life because this makes it easier for them to die without regret. When you are old, you become impatient with the way in which the young applaud the most insignificant improvements … while remaining heedless of the world’s barbarism. I don’t say things have got worse; I merely say the young wouldn’t notice if they had. The old times were good because then we were young, and ignorant of how ignorant the young can be.
From the earliest time the old have rubbed it into the young that they are wiser, and before the young had discovered what nonsense this was they were old too, and it profited them to carry on the imposture.
When I see a lot of young faces in the audience, it's just sort of sinking in how important that is. Because you're old enough now to identify them very strongly as being young - whereas before, of course they were young, because you were young. Now it's not like that.
The first idea of Young and Beautiful was to have a young boy and to explore the sexuality of boys. But, I realized, with a boy doing prostitution, of course it has to deal with homosexuality. And I had a feeling it was too much for the film, you know, sexuality, prostitution, adolescence ... there were too many films for one film.
It's not about what you achieve, it's actually what you do for your industry and that's what I think is important. And when people look at me and they see my achievements with the restaurants do you know what I think? I think I did more than that. What I achieved was teaching young men and young women when they were young and inspiring them.
I can't really recreate or reconstruct exactly how or from where any of my characters originate, young or old, though chances are at least decent that once I name and begin to know them, young or old, I can then attempt to reveal each as psychologically complex and nuanced, and to speak through them, as William Matthews says, "What it feels like to be human."
As you're growing up, it's odd, because directors don't expect you to grow up. They think you'll be young forever, but as an actor, there is an awkward period when you're too young for old or too old for young, and it can be an odd time.
It just struck me as really odd that there were all of these conversations going on about what young women were up to. Were young women having too much sex? Were young women politically apathetic? Are young women socially engaged or not? And whenever these conversations were happening, they were mostly happening by older women and by older feminists. And maybe there would be a younger woman quoted every once in a while, but we weren't really a central part of that conversation. We weren't really being allowed to speak on our own behalf.
When you're young your mother shields you from the world because she thinks you're too young to understand, and when she's old you shield her because she's too old to understand - or to have any more understanding inflicted upon her. The curve of life goes: want to know, know, don't want to know.
You love young ones and babes, I know this. The young will always befriend and admire you...all the young ones of the earth belong to you in friendship. Be good to them. —Breeze, to Sunflash the Mace
He who would pass his declining years with honor and comfort, should, when young, consider that he may one day become old, and remember when he is old, that he has once been young.
Even very recently, the elders could say: 'You know, I have been young and you never have been old.' But today's young people can reply: 'You never have been young in the world I am young in, and you never can be.' ... the older generation will never see repeated in the lives of young people their own unprecedented experience of sequentially emerging change. This break between generations is wholly new: it is planetary and universal.
We are happier in many ways when we are old than when we were young. The young sow wild oats. The old grow sage.
I love the acquaintance of young people; because, in the first place, I do not like to think myself growing old. In the next place, young acquaintances must last longest, if they do last; and then, sir, young men have more virtue than old men; they have more generous sentiments in every respect.
Neither one should hesitate about dedicating oneself to philosophy when young, nor should get tired of doing it when one's old, because no one is ever too young or too old to reach one's soul's healthy.
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