A Quote by Roger Ebert
A remarkable documentary that's also one of the most beautiful nature films I've seen.
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The key fact missed most often by social scientists utilizing documentary films for data, is this: documentary films are not found or reported things; they're made things.
The main reason why I'm a documentary filmmaker is the power of the medium. The most powerful films I've seen have been documentaries. Of course, there are some narrative films that I could never forget, but there are more documentaries that have had that impact on me.
I didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me. I started totally free and crazy and innocent. Now I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
The most beautiful sea hasn't been crossed yet.
The most beautiful child hasn't grown up yet.
The most beautiful days we haven't seen yet.
And the most beautiful words I wanted to tell you
I haven't said yet.
Two remarkable men -- one young, one old -- fuel each other's spirits in the beautiful documentary Keep On Keepin' On.
I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
It can be a work by Mondrian, a piece of music by Schönberg or Mozart, a painting by Leonardo, Barnett Newman or also Jackson Pollock. That's beautiful to me. But also nature. A person can be beautiful as well. And beauty is also defined as 'untouched'. Indeed, that's an ideal: that we humans are untouched and therefore beautiful.
You kind of form a bond with your subjects, in a way. You're in it together. To a degree that people don't realize, documentary films - or at least the kind of documentary films I'm interested in - are a collaborative undertaking with the subjects.
Nature is the purest thing we can touch and observe. It can be the most beautiful and also the most devastating.
The Cannes film festival is about big-budget films but also remarkable films made in different political regimes by film-makers with little resources.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
Of possible quadruple algebras the one that had seemed to him by far the most beautiful and remarkable was practically identical with quaternions, and that he thought it most interesting that a calculus which so strongly appealed to the human mind by its intrinsic beauty and symmetry should prove to be especially adapted to the study of natural phenomena. The mind of man and that of Nature's God must work in the same channels.
One may ask the question as to the extent to which the quest for beauty is an aim in the pursuit of science. . . . It is, indeed, an incredible fact that what the human mind, at its deepest and most profound, perceives as beautiful finds its realization in external nature. What is intelligible is also beautiful.
I remember going to the university film club to see 'The Life And Death Of Colonel Blimp' one night and being bowled over. It was one of the most beautiful films I'd ever seen. And it felt so personal.
Seattle is beautiful. You look at the sky and it's one of the most beautiful skies in the world, and then there's the Puget Sound, which will kill you, if you fall into it, but it's also beautiful. Seattle is a city of contradictions. It's the most liberal and most literate city in America, and it has Starbucks and [Bill] Gates, but it's also where the Green River killer hunted women and where the runaway population is just shocking when you walk the streets. Within the same city, there's darkness and light.
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