A Quote by Roger Ebert

No matter what they're charging to get in, it's worth more to get out. — © Roger Ebert
No matter what they're charging to get in, it's worth more to get out.
Here it is at last, the first 150-minute trailer. Armageddon is cut together like its own highlights. Take almost any 30 seconds at random, and you'd have a TV ad. The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they're charging to get in, it's worth more to get out.
In my experience, Marines are gung ho no matter what. They will all fight to the death. Everyone of them just wants to get out there and kill. They are bad-ass, hard-charging mothers.
Nobody had a credit card when I was a kid. No one had credit card debt. But these big companies and banks wanted to know how to get more money out of people - get them charging things.
...one of hallmarks of a creative person is the ability to tolerate ambiguity, dissonance, inconsistency, things out of place. But one of the rules of a well-run corporation is that surprise is to be minimized. Yet if this rule were applied to the creative process, nothing worth reading would get written, nothing worth seeing would get painted, nothing worth living with and using would ever get designed.
Girls get the message from very early on that what's most important is how they look, that their value, their worth depends on that. And boys get the message that this is what's important about girls. We get it from advertising. We get it from films. We get it from television shows, video games, everywhere we look. So no matter what else a woman does, no matter what else her achievements, their value still depends on how they look.
I never felt like that before. Maybe it could be depression, like you get. I can understand how you suffer now when you're depressed; I always thought you liked it and I thought you could have snapped yourself out any time, if not alone then my means of the mood organ. But when you get that depressed you don't care. Apathy, because you've lose a sense of worth. It doesn't matter whether you feel better because you have no worth.
What you have to remember, when you get to the level of seeing 10,000 people a night, is that they've all paid to have a performance. I need to make sure that they get their money's worth. I don't want to be going on stage and saying, "I'm just going to try some stuff and if it doesn't work, it doesn't matter," because it does matter.
I always tell guys to get paid what you are worth and know what you are worth so that if you are worth it, you will get that number.
I've always been open. My whole life. Sometimes I'll get more closed, I'll get even. It's more just comfortability for me. That's where I feel comfortable, then I was always told it doesn't matter where you stand as long as you get in a position to get ready to hit the ball.
We're charging what we're worth and we don't think we're worth $22.50. We take a lower cut than Pearl Jam.
The women who take husbands not out of love but out of greed, to get their bills paid, to get a fine house and clothes and jewels; the women who marry to get out of a tiresome job, or to get away from disagreeable relatives, or to avoid being called an old maid -- these are whores in everything but name. The only difference between them and my girls is that my girls gave a man his money's worth.
No matter where you are in the game, no matter how successful you might be, there will always be others out there who are more talented or more beautiful or more connected than you. Get used to it! If you start dwelling on everybody else's genius, it'll become a huge wave of doubt.
Most people don't get lucky. They get human. They get crushes. This means you irrationally mortgage what little logic you own to pay for this one thing. This relationship is an impulse buy, and you'll figure out if it's worth it later.
We've got to get back to a country that can get things done. And my whole career has been marching and charging at and running toward some of the most difficult problems in America and finding ways to create new coalitions to get things done.
To me, it makes more sense to write different songs and to play different kinds of music and to find your own voice. But no matter what, get out and play for people. Get out and learn, and do everything that you can, you know?
There is nothing -- absolutely nothing -- half so much worth doing as simply messing about in boats. In or out of 'em, it doesn't matter. Nothing seems really to matter, that's the charm of it. Whether you get away, or whether you don't; whether you arrive at your destination or whether you reach somewhere else, or whether you never get anywhere at all, you're always busy, and you never do anything in particular; and when you've done it there's always something else to do, and you can do it if you like, but you'd much better not.
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