A Quote by Roger Ebert
An actress should never, ever, be asked to run beside a van in red disco boots for more than about half a block, and then only if her child is being kidnapped.
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Amber, you could never embarrass me." "Never?" she asked. "Never." "One time, I yelled across the store to Mom and asked her if she wanted the regular or the super-absorbent tampons. I added that, according to the box, the super-absorbent were for those heavy days. Then I asked her to rate her heaviness on a scale of one to ten." "Okay, you could." "Then while we were standing in line, I asked her why she was buying three boxes of Summer's Eve in the middle of winter." I set her at arm's length. "Wow." "I know, right? I had no idea a person could turn so red.
Seeing Taylor Swift live in 2013 is seeing a maestro at the top of her or anyone's game. No other pop auteur can touch her right now for emotional excess or musical reach - her punk is so punk, her disco is so disco. The red sequins on her guitar match the ones on her microphone, her shoes and 80 percent of the crowd.
I am so lonely without you, Aedan," Jane said simply. "You truly want me?" "More than anything. I'm only half without you." "Then you are my woman." His words were finality, a bond he would not permit broken. She had given herself to his keeping. He would never let her go. "And you'll never leave me?" she pressed. "I'll stay with you for all of ever, lass." Jane's eyes flared, and she looked at him strangely. "And then yet another day?" she asked breathlessly. "Oh, aye.
My parents made it clear that I should never display even the slightest disrespect to individuals who had the power to let me skip a half grade or move into more challenging classes. While it was all right for me to know more about a topic than my sixth-grade teacher had ever learned, questioning her facts could only lead to trouble.
My sister, with her ratty red-highlighted hair and her linen pajamas and her combat boots—how could she possibly worry about being possessed by a goddess? What goddess would want her, except the goddess of chewing gum?
That night, I asked the Mother of God what was to become of me, a Child of Faith. Then she came to me holding two crowns, one white, the other red. She asked me if I was willing to accept either of these crowns. The white one meant that I should persevere in purity, and the red that I should become a martyr. I said that I would accept them both.
She saw him the first day on board, and then her heart sank into her shoes as she realized at last how much she wanted him. No matter what his past was, no matter what he had done. Which was not to say that she would ever let him know, but only that he moved her chemically more than anyone she had ever met, that all other men seemed pale beside him.
That big hit 'Get Lucky' is a disco song - not only the melody and the whole concept, but we had one of the great disco guys and one of the best guitarists ever, Nile Rodgers, to play on it. So that's great disco, but a modern disco, because it has great vocoders and synthesizers.
Then she took my hand and touched it to the wound beside her eye. I caressed the half-inch scar. As I did so, the waves of her consciousness pulsed through my fingertips and into me - a delicate resonance of longing. Probably someone should take this girl in his arms and hold her tight, I thought. Probably someone other than me. Someone qualified to give her something. "Goodbye, Mr. Wind-Up Bird. See you again sometime.
'Always speak the truth - think before you speak - and write it down afterwards.'
'I'm sure I didn't mean - ' Alice was beginning, but the Red Queen interrupted her impatiently.
'That's just what I complain of! You should have meant! What do you suppose is the use of child without any meaning? Even a joke should have some meaning - and a child's more important than a joke, I hope.
This whole concept of boots on the ground, we've got a phobia about boots on the ground. If our military experts say, we need boots on the ground, we should put boots on the ground and recognize that there will be boots on the ground and they'll be over here, and they'll be their boots if we don't get out of there now.
I'm often asked what it was like to have a famous mother. I always answer that I really don't know. I knew her first as my mother, and then as my best friend. Only after that did I understand that she was an actress, and with time that she was truly an exceptional actress.
You don't get a chance to take a breath but when you do, you have some really good comedy moments that ease up on the tension that the movie is centered around which is Kim being kidnapped and her son and husband being kidnapped and the jeopardy that they're in.
No one in my family or my circle of friends had ever had to confront something like this. Jamie was seventeen, a child on the verge of womanhood, dying and still very much alive at the same time. I was afraid, more afraid than I'd ever been, not only for her, but for me as well. I lived in fear of doing something wrong, of doing something that would offend her. Was it okay to ever get angry in her presence? Was it okay to talk about the future anymore?
The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing. I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.
If I had known, do you think I should have let her get away with this mad plan? That I should have let her rob me of my child? No, I should have taken you myself and hidden with you in some far-off land and never seen her again rather than agree to such an unnatural scheme
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