A Quote by Roger Ebert

Movies are like a machine that generates empathy. — © Roger Ebert
Movies are like a machine that generates empathy.
The purpose of civilization and growth is to be able to reach out and empathize with other people... For me, the movies are like a machine that generates empathy.
We all are born with a certain package. We are who we are: where we were born, who we were born as, how we were raised. We're kind of stuck inside that person, and the purpose of civilization and growth is to be able to reach out and empathize a little bit with other people. And for me, the movies are like a machine that generates empathy. It lets you understand a little bit more about different hopes, aspirations, dreams and fears. It helps us to identify with the people who are sharing this journey with us.
In the vast majority of movies, everything is done for the audience. We are cued to laugh or cry, be frightened or relieved; Hitchcock called the movies a machine for causing emotions in the audience. Bresson (and Ozu) take a different approach. They regard, and ask us to regard along with them, and to arrive at conclusions about their characters that are our own. This is the cinema of empathy.
I'm a fan of Oliver Stone. I like his movies, I like his excess, and I think he has a great capacity for empathy and it comes out more powerfully in this movie than in any of his other films, even the formal 'I'm identifying with the underdog' movies like 'Born on the Fourth of July.'
My approach is to start from the straightforward principle that our body is a machine. A very complicated machine, but none the less a machine, and it can be subjected to maintenance and repair in the same way as a simple machine, like a car.
Reading can almost be viewed as empathy training. Movies have better action scenes, sure. But books are uniquely suited to showing you the inside of another person's head. That is the root of empathy. That's the first step to understanding you're not alone in the world.
I'm determined to disagree with people without being disagreeable. That's part of the empathy. Empathy doesn't just extend to cute little kids. You have to have empathy when you're talking to some guy who doesn't like black people.
The myth-making machine is the mimetic contagion that disappears behind the myth it generates.
The Eternal generates the One. The One generates the Two. The Two generates the Three. The Three generates all things.
Empathy isn’t just listening, it’s asking the questions whose answers need to be listened to. Empathy requires inquiry as much as imagination. Empathy requires knowing you know nothing. Empathy means acknowledging a horizon of context that extends perpetually beyond what you can see.
Nature is a machine. The family is a machine. The life cycle is like a machine.
I go to the movies whenever I get the chance, because the movie theater is like the woods. It's another place that's like a time machine.
The classic war movies of the post-Vietnam era have generally taken on grand, philosophical themes: the meaninglessness of war, the grinding down of man by the machine - the machine being war itself, represented by someone like Gunnery Sergeant Hartman in 'Full Metal Jacket,' the sadistic marine who turns his boys into instruments of death.
Empathy is cloaked in our actions - as in, we might be experiencing empathy but not realize it's empathy.
Empathy is like a universal solvent. Any problem immersed in empathy becomes soluble.
If all individuals were conditioned to machine efficiency in the performance of their duties there would have to be at least one person outside the machine to give the necessary orders; if the machine absorbed or eliminated all those outside the machine, the machine will slow down and stop forever.
This site uses cookies to ensure you get the best experience. More info...
Got it!