A Quote by Roger Ebert
Why has Scandinavia been producing such good thrillers? Maybe because their filmmakers can't afford millions for CGI and must rely on cheaper elements like, you know, stories and characters.
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I don't know who they are[my characters] . They're entirely invented characters. Maybe that's how I've been able to write so many books, because there are no boundaries for me. I can write a completely fantastical story like "Swept Away" or "Blinded by the Light" and then a non-comic drama like "Chicxulub" or something like "Birnam Wood" that has autobiographical underpinnings. Why not?
My music is rather abstract and maybe even strange-sounding for some people, so maybe that's why it's been used in so many horror movies and thrillers.
I think journalists and filmmakers are keen observers. And actors must also be sharp observers as they draw their characters and their stories from what they experience around them. After all, that is what actors, filmmakers, journalists are trained to be: observers. And then they do something with their observations.
I write my own stories. I like telling stories to little children. I think the good thing about stories is they carry you to another place which you've never been. And you feel like you're just enveloped by the book and the characters.
The masses in any given place are generally composed of three parts, the relatively active, the intermediate and the relatively backward. The leaders must therefore be skilled in uniting the small number of active elements around the leadership and must rely on them to raise the level of the intermediate elements and to win over the backward elements.
Sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical. I'm more interested in the kinds of movies where the science fiction world has a set series of rules and you operate in it because of, maybe, constraints in the budget.
I used to be one of those people who read thrillers on vacation, but for some reason most thrillers no longer thrill me. Maybe because these days reality is far more unbelievable than any fiction?
Basically the movies I make are my life, so I choose how I want to live my life for the next two years. So that's a decision I have to make. At some point if I feel there are enough elements - it doesn't even have to have great characters or great stories - it's just elements that can get my excitement and curiosity for one or two years, then I'll jump in and I'll find out what that is. Then I have to do [interviews like this] and rationalize why I do this.
I just like good stories. I like really interesting scripts, I love really great filmmakers. And I'm open to all genres and all stories. But, there's certain ones that attract me, and I don't really sort of look at what I think is going to be successful, I look at more so, you know, is this what I want to do regardless of what everybody else thinks?
If you look at the single-payer systems, like Scandinavia, Canada, and elsewhere, they can get costs down because, you know, although their care, according to statistics, overall is as good or better on primary care, in particular, they do impose things like waiting times, you know.
What if the New York Times gave out free, cheap Kindles to everyone and said this is how we're doing it now. You know? Maybe that's a way to go. The technology gets cheaper and cheaper, and at some point it has to be cheaper than all these trucks and all this gas, to just say, let's give away a Kindle to everyone.
The reason we do activism is because, maybe you haven't been raped or abused, but there are millions of people who can't say the same, and when you hear their stories you may be a little bit compelled. And it doesn't have to be dark. In the Congo, there are women who've been raped and re-raped, and they're so powerful, and they can carry trees on their heads, and they're dancing!
("Let's stand under a tree," she said. "Why?" "Because it's nicer." "Maybe you should sit on a chair, and I'll stand above you, like they always do with husbands and wives." "That's stupid." "Why's it stupid?" "Because we're not married." "Should we hold hands?" "We can't." "But why?" "Because, people will know." "Know what?" "About us." "So what if they know?" "It's better when it's a secret." "Why?" "So no one can take it from us.")
Neophyte, n. There are millions upon millions of people who have been through this before-- why is it that no one can give my good advice?
You know when you're hungry and excited and you feel humble about it? I like that. In the past, when things were not clear, I think I wasn't ... I didn't have my feet on the ground as much, maybe, 10 years ago. So I just feel like this is a good place to be now, to feel that you want to tell stories from this place and that you're excited to tell stories from this place because you know what you love. I know what I love right now.
The pollution problem is always seen as someone who was doing something bad that has to be stopped. To me, pollution is doing something bad and good. People don't pollute because they like polluting. They do it because it's a cheaper way of producing something else.
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