A Quote by Roger Ebert

It's rare to find a film that goes for broke and says, 'To hell with the consequences.' — © Roger Ebert
It's rare to find a film that goes for broke and says, 'To hell with the consequences.'
Legalistic remorse says, "I broke God's rules," while real repentance says, "I broke God's heart."
It's very rare to get a film script that has good dialogue. A lot of the time, you spend on film sets really fighting to find out how to say the words.
God will never send anybody to hell. If man goes to hell, he goes by his own free choice.
Doing a film and saying, I've done a really dark film and now I have to do a comedy... That's not me. If a script comes along and it's dark I'll absolutely do it and take the consequences. I'm not fussed about the image that goes along with it.
In my judgement, when the United States says there will be serious consequences, and if there isn't serious consequences, it creates adverse consequences.
There’s a passage that I love in Romans 1. … [I]t talks about homosexuality and it says that they will receive in their bodies the penalties of their behavior. … The Bible [is] right every time … and that’s why AIDS has been something they haven’t discovered a cure for or a vaccine for. … And that goes to what God says, ‘Hey you’re going to bear in your body the consequences of this homosexual behavior.’
Anybody that makes films knows the film is never finished. It's abandoned or it's ripped out of your hands, and it's thrown into the marketplace, never finished. It's a very rare experience where you find a filmmaker who says, "That's exactly what I wanted. I got everything I needed. I made it just perfect. I'm going to put it out there."
You know as a director what you want, but the film is smarter than you, the film says no, the film says there's something more here.
I find it rare to see truly complex portraits of women on film.
A man is born alone and dies alone; and he experiences the good and bad consequences of his karma alone; and he goes alone to hell or the Supreme abode.
It's rare for the studios to find a filmmaker who wants to make a family film. To find someone that has an idea, embraces it, has kids and wants to make something exciting - well, they don't see that too often.
'Gloria' is a film about a fifty eight-year-old woman who is quite alone in life; however, she is quite optimistic. Nobody has much time for her, and so she regularly goes to these single adults' parties where she is looking for someone. By the end of the film, she doesn't necessarily find love, but she does find something else.
Well, I think every film student goes into film school thinking they want to write and direct their own movies, and they don't realize how much goes into it, and what a process it is.
You don't think progress goes in a straight line, do you? Do you recognize that it is an ascending, accelerating, maybe even exponential curve? It takes hell's own time to get started, but when it goes it goes like a bomb.
He (Tesla) was 84, and he died in a hotel, completely broke and alone. In love with a pigeon. This is a nightmare. I'm in hell. This is hell. I'm talking about Tesla in my puke. Tesla was the electric Jesus. I can't breathe.
No nice extreme a true Italian knows; But bid him go to hell, to hell he goes.
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