A Quote by Roger Federer

The serve, I think, is the most difficult, you know, in terms of coordination, because you got the two arms going, and you got to toss it up at the right time so. — © Roger Federer
The serve, I think, is the most difficult, you know, in terms of coordination, because you got the two arms going, and you got to toss it up at the right time so.
The hardest thing in a novel is time. You've got [a line like] "two weeks later, he woke up with a headache," and you've got to add up that entire two weeks and what the date is and whether it works. That kind of stuff drives me crazy and if I don't have it exactly right, I can't move forward because I don't feel confident.
A lot of people that I know are bugged with the idea that they have got to have an audience, or they have got to be liked. I think the more that you fall into that trap it makes your own life harder to come to terms with, because an audience appreciation is only going to be periodic at the best of times.
After the first time I got traded - I was in the bullpen warming up for a game in Double A, and I got called back in and got traded - that was probably the, like, most crazy it could be. And once I got traded, the next time it got a little easier, and I got traded the next time - it's just part of it.
John Huston was the kind of director that totally left you alone. Not every actor always does it right, every time, but most of the time he was re-directing someone. He was making tight adjustments, and not even in terms of interpretation because he knew that by the time that the character had been filmed... well, he got it right when he cast you.
I thought the first two seasons of America's Got Talent were good. I think this one is the best one by a mile because they - you see the difference this year, I think, with the crowd being effectively the fourth judge. But most importantly, I think that these shows have to have a relevance because if you're not finding stars at the back of these shows - whether it's Idol or Got Talent - they're a complete waste of time.
I'm very glad I've got a make-up artist. I have trouble going to school when I've got bad spots and things like that so I still don't understand how I got up in front of a camera and did it. I almost had a moment of madness every time I did that. It's difficult and it's scary and you hope that people won't be looking at your flaws, especially when you're in 3D as well.
As far as "uncut" I think we all know that you guys cut up the special. Originally it was going to be 2 hours plus and it got chopped down so I said "we can't use those words because it's not going to represent me right".
I can't stand still; I find it very difficult to sit around and do nothing. I've got to have projects on the go because the devil makes work for idle hands. I've got to be going forward all the time.
Everything in comedy's got to be exactly right, which is why making a comedic film is kind of a difficult process, because, for most of the two years of shooting it and editing it and reshooting and all of that, it's not quite right. And it's only when you just at the end, you put the final polish on it, it becomes really funny again.
I realized I was growing up or something like that. You have responsibilities...you've got to think about getting your act together. I didn't even know what it had been doing to me. I didn't realize how dangerous it was. People talked in terms of drugs and I used to think in terms of...well in Ireland, everybody drinks. Nobody gives it a second thought. You're Irish number one and you're a drinker number two. That's the first two things about us Irish.
The problem with time, I've learned, whether it's those first two weeks I got to spend with you, or the final two months I got to spend with him, eventually time always runs out. I have no idea where you are out there in the world, John. But I understand that I lost the right to know these things long ago. No matter how many years go by, I know one thing to be as true as ever was - I'll see you soon then.
I can hardly think of an occasion when I've got into a stand-up fight with any political opponent. I've got my views, people know what they are, they can agree or they can choose to disagree. I'm not going to waste time just rubbishing everybody else.
I actually had four space flights altogether, three times on shuttles. My second flight was really unique for me because I was going back into space, first of all. The first one was like an appetizer at a nice dinner. You know, you want to go up and you want more. So, the second time I got into space, it was neat because I got to actually do two space walks.
The Tom Green I got to witness and see inside the 'Big Brother' house, I would say he was probably the most difficult to live with because he is literally a roller coaster. You don't really know which Tom you are going to get on an hour-to-hour basis. And that was kind of difficult.
With the time, as I was growing up and I got taller and my arms were longer, I developed this aggressive style because I think it was better for me, for my style of game.
My whole thing is being a coach, a GM, and a president: you all got to be attached at the hip. There's got to be no separation between you. The players got to know it's one voice: we're all in this together; we're going to do this right.
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